Amazing that he does about 2 minutes of music a day, and then the copyists come in at like 4am to write out parts for the orchestra to play in the morning. Also amazing the amount of Macintoshes used 😉 Also of note is that it appears that Finale is used, by the look of a couple of the pieces of music in the videos, specifically in the Week 4 video, about 4:21 into it. Looks like Finale using Bill Duncan’s Finale Fonts
SmartMusic has been updated to version 9. MakeMusic is hyping it with Wynton Marsalis who gives little “talks” about how to use the software. If you have used SmartMusic before, you know how the interface sucks. It still sucks. The sounds still suck. However, they have added some jazz things.
A couple of things sounded interesting, so I downloaded (finally!) the upgrade (500+ megabytes) and installed it. First off, NONE of the jazz exercises are printable. In fact, hardly anything is printable. In my opinion, it cripples the program. How can you promote the “on screen drum charts” when I doubt anyone can get their computer anywhere close to their drum set. Also, on the Mac Mini system I tested it on (1.42 gigahertz), the follow cursor (line or whatever you want to call it) seems to be behind the music, which kind of blows the whole reason for having the cursor there. SmartMusic needs to be able to PRINT examples, exercises, lead sheets. Adopt a print feature like MusicNotes.com has and print an “authorized for use by So and So” on the bottom right of every page.
SmartMusic has a lot to offer, such as great backgrounds to all kinds of Classical literature. Avoid the Beatles stuff in there, as it’s super cheezy. The Jazz stuff has a long way to go. There needs to be the ability to create loops, and perhaps freely take patterns and combine them with other patterns and create a practice loop. I’d recommend Band-in-a-Box over SmartMusic for Jazz any day of the week. Not only does Band-in-a-Box allow you to create progressions of any length or style, but you can PRINT out charts.
I give SmartMusic a 5 out of 10. It’s a love/hate relationship with this program. I like the classical pieces and hate the interface and sounds.
Pimsoul writes “I play in a band, on alto sax. The think is, because the drums are loud the bass and guitar is loud, so i have to play loud too. But I can’t always keep up with loudness, so we thought about amplifieing my sax. Because it isn’t good for a normal guitar amplifier to use it for saxophone i’m looking for an alternative. I thinking about an amplifier for sax, but do they even exist? So yes, are these things expensive (when you compare it with the quality)? If they don’t exist, what are the other alternatives?
I would appreciate replies very much, thank you!
Kind regards, Pim
(excuse me for my bad English)”
There is not a “sax amplifier” per say. What you can use is pretty much any type of amp you want. Or a self powered speaker. Keyboard amps work great, something like Rolands KC350. Really depends on how much money you want to spend. And you would need a microphone as well, something like a Sennheiser 421.
But you might consider asking the other guys to play down at 11 rather than 13. If you can’t hear yourself play in a band, you have to wonder what the long term effects on your hearing (not to mention sanity). Is it worth losing your hearing to play really, really, really loud?
Now, it seems even Mac OS X gets some sort of DRM with a Sony CD.
It’s time to boycott Sony Music.
Yes, it is only November. But there is no time like the present to start thinking of presents for people (woohoo, good play on words there E).
To start things off, iLounge has a very good, free, Holiday buyers’ guide available. Of course the guide is for people who own an iPod. And if they don’t own an iPod, that would be the #1 thing to get people. An iPod nano is only $199. Amongst the things they recommend are AKG’s new K 701 headphones. I own a pair of AKG 271 headphones, and they rock. The 701s are around $399.
Other things to consider getting a musician are:
This is just a start…..I’m sure there are other potential presents out there.
Greg Fishman has released a great new book titled Jazz Saxophone Etudes. What sets this book apart from others is the addition of two CDs, one for Alto and one for Tenor. You use the same etude for both instruments. So, you don’t have to deal with bad transposition jobs that you find in say, Bob Minzter’s books. Plus, the CDs feature extended rhythmn section only parts that allow you to stretch out and play on the tunes.
The tunes are based on standard changes. There are two blues etudes, two rhythmn changes etudes, and etude based on the changes to “A” Train, etc. All the etudes are named after streets in Chicago, which figures as Greg Fishman is from Chicago.
The one thing I would want more of in the book is voice leading. It would have been great to include the voice leadings to the solos, along with some analysis of what was used. It was mentioned briefly in the front of the book, then….nada. It would really make this book stand out if it had detailed, one page sheet on the voice leadings used in the solos. Anyhow, I’ve done a bunch of them for my students so they can see how he constructed the solos.
Rating for this book. 10/10. For $20, this book rocks. You get excellent solos, great sounding CDs, and a lot of information. Go get it!