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The Importance of Backups

March 24, 2013 in Articles

For several years now, I have been storing my digital assets on a RAID5 system. The first system was a box I build from old PC parts and a raid controller. It held a whopping 1 terabyte in storage. It was loud.

The second system was a ReadyNAS NV. This was a little shoebox size computer that held 4 drives. It worked remarkably well, even when I swapped out the original 250 gig drives with 1 terabyte drives (to make my total storage close to 3 terabytes). Great little unit, but it was slow (650mhz processor).

Last year I upgraded to a Synology DS1512. The first unit I got had a serious firmware issue, and they had to send me a new unit. It had been running flawlessly until about two weeks ago. Then, a drive failed….

No big deal. I had two drives fail on the readynas unit. You simply take up the disk, put in a new one, and it rebuilds itself…..no data lost. The synology unit should be the same. So, I proceeded to go on amazon and order a new drive…..then the improbable happened……a second drive failed.

Now, RAID5 is designed to handle one drive dying, not two. Technically, the drive didn’t completely die, the system map got screwed up somehow. Basically, the unit crashed miserably, and probably was not recoverable (didn’t even boot)

Luckily, over the summer, I got a two disk synology unit, and had been remotely syncing changes from the DS1512 to it. Plus I had also been using the readynas nv as a backup as well. So, I didn’t lose nearly 3 terabytes of songs, movies, books, and recordings.

Now, you probably don’t have a NAS. But you probably have a computer. You need to backup files now. Get a hard drive and use time machine on the Mac or whatever similar program exists for windows. Backup. Seriously consider getting a CrashPlan or similar service account.

You can never have too many backups.

Going All Digital

January 12, 2013 in Articles

If you’ve noticed, there have been a lack of new posts lately? “Oh no, he’s losing interest in the site. Where are we going to get our latest Katy Perry sheets?” you might say. Fear not, there are a lot of things in the pipeline. So where have I been? Busy. Actual high paying gigs, working on CDs for my students, and…..finally going paperless.

Since getting an iPad in 2010, well, actually, before that, when I decided in 2007 to get a second monitor attached to my computer in my teaching studio, I have wanted to abandon all my physical books. Actually, probably iTunes ushered in this era, where you could have ALL your teaching materials (Aebersold, other play-alongs) available instantly on your computer. When I first started teaching full time in 1999, I bought a 300 disc CD player to hold all the Aebersold volumes I had, then other play-alongs I had. I had books strewn all over the place. I had printed sheets, which some of the kids called the “Reject pile”, on the floor (songs that I had made on Finale and printed to try, but then for various reasons it wasn’t going to work for them). It was a mess. But iTunes started to change that. Spending a few months ripping my mass collection of CDs into iTunes, it was amazing. All of a sudden I could instantly pull up a Aebersold blues in F, or in C on separate volumes. Gradually the CD player was being used less and less. Now, it is still in my studio (above the DAT recorder I have). It hasn’t been plugged in for well over a year, probably two. I really don’t know.

When I put a second monitor on my teaching computer, partly to use SmartMusic (which started to put sheet music play-alongs in the program), and partly to see the songs/exercises/arrangements I did in Finale, I was stunned by how it changes your teaching. Finding stuff is simple. In the case of having something in Finale, does it need to be in a different key? Click….done. Transposed down an octave? Click…..done. And no more piles of paper. 

But, I still had a huge collection of books. Aebersolds, Fishman, Snidero, more flute books that I care to count, clarinet books, oboe books, jazz books. Books books books! Great stuff in the books, but it was and still is a PAIN IN THE ASS to find something. Maybe there was an exercise in flute book X…..now where is flute book X…….oh, I can’t find it…..did I lend it out to someone never to get it back? So, sometime in 2008 I decided to scan some of my books that I use a lot. 

Scanning a book though is a pain. Mainly, because they are double sided. It takes a lot of time to scan, even if you break the binding or cut the binding off. I had been using a Brother All-in-one to scan one side, then I’d have to scan the other side, and then go through and number them, then assemble them into a PDF…….it was a lot of work….but I did it for a lot of books I used a lot. It made finding them instant now, and copying a page as simple as a Command-P now. But there are still hundreds of books left…….

ScansnapEnter my Christmas gift…..a Fujitsu Scansnap 1500M. How do I explain this…..it is like maybe being Christopher Colombus and getting GPS and a modern boat at the same time? No…..maybe getting an iPhone in 1970? That is closer to what it is. This machine was not cheap ($430 or so), but it is worth it. It does well over 20 pages a minute, double sided, high resolution. Puts them into a PDF, OCRs them…..it is amazing. In the week and a half I’ve had it (it came Jan 2), I have blown through 2 boxes of old music magazines, and probably a hundred books (a lot of them are drum books for a drum teacher….who’s paying me to do the scanning). And now I have easily tripled the number of books in my digital collection. I’m using stuff out of books I had totally forgotten about. It’s great.

The ONE downside is that I still have NOT found a good organizer of PDFs. The big issue is that I have all my digital stuff on a NAS (RAID5). I mean, it would be STUPID not to have some sort of digital insurance like that (plus Crashplan). But all the cool PDF like organizers either don’t find the OCRed text in the files on a network share (iDocument) or what to put all the PDFs into a tome (Devonthink Pro). I don’t want to put them into one tome/database file because I still want to have them in iTunes (I have playlists with the PDF and the tracks on ones that have audio tracks). So, that is the only weak link right now. Like if Devonthink would just symbolically link to a PDF and still be able to search the text there…….that would be great. Supposedly iDocument is going to add this. 

So, that is what I’ve been up to. No more paper or paper books. I’m digitalizing all of the stuff I have that I use or want to use. Things seem like they are getting less cluttered in my studio as the books disappear (they go into the recycle bin once I am happy with the scan). It’s great. I’d HIGHLY recommend this scanner to everyone. It EATS paper. 

Site Slow for the Next Few Days….Due To Crashplan

November 25, 2012 in News

Sorry guys and gals, but the site might be a little slow for the next few days? Why? Well, Crashplan has a amazing sale this weekend. A whole year of the Family version of it for $17. Well, it started off free supposedly, but then it was going up in price every two hours and when I got word of it Friday, it was at $17. Right now it is about $60 for a year of the family plan (up to 10 computers, unlimited data backup).

If you DON’T backup your computers, you should. Crashplan is PERFECT for this. It’s unobtrusive, and gives you another layer of protection in keeping your stuff safe (I can’t imagine losing all my Finale files……) in addition to your TimeMachine or whatever else you backup to. And even at $60 for a family plan, it is still a steal.

Crashplan works on Mac, Windows and Linux. Since the Jazz-Sax server is a Linux box, I can now finally backup the server files to the cloud. Whew. So, until the initial backup is done (about 2 days according to the program…..since it doesn’t use ALL the bandwidth I have), we might be a little slow for a while. Plus, my MacPro is also sending stuff to the cloud.

Music Notation and Music Education Software News | MakeMusic, Inc.

November 12, 2012 in Articles

Music Notation and Music Education Software News | MakeMusic, Inc.:

Minneapolis – November 12, 2012 – MakeMusic, Inc. (NASDAQ: MMUS) today announced the upcoming release of an iPad version of SmartMusic, the interactive practice software, in the spring of 2013. The app will be previewed to the public at the New York State School Music Association Winter Conference, November 29 – December 2, 2012, and The Midwest Clinic Annual Conference, December 19 – 22, 2012.

(Via www.makemusic.com)

MakeMusic should have this out in the Spring of 2012, not 2013. And hopefully it should run on ALL iPads (including the original) since Apple’s Garageband still runs on the original iPad (and it runs quite well actually).

Recording Saxophone in Logic 9

November 10, 2012 in Articles

Since leaving ProTools, I had to redo my default recording presets in Logic. Here is how I currently have it set up. First, I record everything at 96Khz. Why? Because I can. I think it sounds better too. More open maybe? I dunno.

Here is a picture of my channel setups. The first track is the track I am recording to (input 1). I have the output bussed to Aux 1 on Bus 27 (could be any bus, it doesn’t matter). This Aux will have all the plugins and EQ setting setup on it. So, if I do another track, I don’t have to recreate everything.

This Aux is also mono, keeping it similar to the source material. Also, this Aux is sending some of it’s signal to Aux 2, which is for reverb. You could add reverb on this aux strip, but a this is sort of a trick I learned while mixing a CD. You have both the source and the reverb separate.
 
Next, lets look at what plugins I have on the Aux strip….

Read the rest of this entry →

Band in a Box 2012.5 for Mac

September 14, 2012 in Reviews

This week has been amazing. First, on Wednesday, we had Apple announce the iPhone 5. On Friday, PG Music unleashed Band in a Box 2012.5 for Mac. I shudder to think what next week will bring (other than actually receiving an iPhone 5 on Friday!).

Like the iPhone 5, Band in a Box 2012.5 is more tweaking of an already great product. I still am surprised that more musicians do not know of this amazing piece of software. Or maybe still dismiss it as this midi tool (which it was back in the 90s) that uses Quicktime to generate cheesy backgrounds. It is not that. These people also probably still believe we didn’t go to the moon.

Band in a Box, if you read this site, I always rave about. For anyone learning jazz, or just music in general, it is an invaluable tool. You simply type in a chord progression, tempo, key (if you want), and then pick a style. There are sooo many styles. There are quite a few midi only tracks that, depending on your setup, can sound very very good. But the program has really shines in it’s use of “RealTracks”. The software pretty much seemlessly takes real performances and will piece them into the song. So, if you wanted your masterpiece in the key of Db in the style of a Pop song with Electric keyboard, fretless bass, drums, and a Smooth sax soloing….it can do this. And it sounds damn good. Every version of the program, like every revision of the iPhone, tweaks and improves upon what they had before.

New things in this version of Band in a Box:

There were some other tweaks to the program to. There is a simplified saving to M4A or AIFF from the File Menu (though I did want this to be a pop up dialog in the beta test so you could easily select say a DropBox folder to save them to rather than the program just dumping it into folder where the source file exists. Last beta still did it that way :-( ). The program does load a little faster than the 2012 as well.

There are still some annoyances. I swear every beta test I am involved with, I complain about the “Open Song By Title” thing, which will display the song title, file name, if it has a melody, and the style. Great tool. Except the Windows version will traverse folders in that folder (nested folders), and the Mac version just does the files in the folder. So the 10,000+ Band in a Box files I have would have to be all in ONE folder instead of sort of organized into subfolders.

Another annoyance, or rather, something they need to bring to the fore in the program is the “Woodshed Tempo” thing. It is buried in Preferences 2 in the program. Basically, what it does is that every time you end a loop of a song, say you get done with the 5 choruses of Giant Steps at 160, it will bump up the next loop of the song by a certain number of beats per minute. So you can practice changes to a song, and start it at say 140, and have it bump up every loop by 10 clicks every time. Amazing for practicing. I keep lobbying for them to make a button for this, or at least make it so it’s not buried in the program. It’s a great tool to use…..and few seem to know it’s there.

So, the verdict. Of course it is a BUY. If you are learning music, and specifically, Jazz (or soloing), you need this tool. And you need to splurge and get ALL the real tracks (or AT LEAST the styles you like). The BEST version to get is the Hard Drive version, which PG Music will send you a hard drive that has lots of extra space, and the program and all the styles and real tracks. And it’s portable, so you can take it between home and the studio, or use it on another computer. The program takes something like 65 gigs to install.

Yes, it is expensive to get the whole thing. But like any good tool, it is an investment. And PG Music’s upgrades are very reasonable (usually the upgrades to all the new real tracks and stuff is $129).

Get this program. Or put it on your Christmas list.

Ditching Pro Tools For Logic

June 15, 2012 in Articles, Reviews

For various reasons, I decided NOT to upgrade my ProTools to the new version. I won a system in 2007 that included a copy of ProTools M-Powered version 7. I upgraded to 8 as well, and mixed a big band album with the gear. I thought about moving to 9, but the upgrade costs were huge. Plus, I had also, in 2007, bought Logic 8 when Steve Jobs issued $200 credits to the first buyers of iPhones (love you Steve!).

Anyhow, when Mac OS X 10.7 Lion came out, the fate of ProTools for me was sealed. Version 8 didn’t run on it. But Logic ran on it. And for $199 I could buy Logic 9 from the App Store. And I did. And I haven’t looked back.

Is there something I miss about ProTools? I think the flow of working with audio is a little better, and the tools are incredibly cool. That is not to say that Logic doesn’t have these tools, but like to put in a Fade in ProTools vs Logic, it seems to be more precise in ProTools. I do miss my McDSP plugins though. I had bought them when they were RTAS, and I do miss them. Especially some of the compressors. Oh well. Oh, and Altiverb 6 sorta works in Logic in 64bit mode but shows up as unsupported. Strange.

I DO however, love the Exporting out of Logic. You don’t have to play the whole thing back. You bounce it, and boom. It is done in mere seconds. Logic also has a wealth of built in plugins.

If you use a Mac, and are sick of ProTools reaming you for upgrades, get Logic.

Finale Songbook

June 4, 2012 in Articles

Though this author likes the program, I think MakeMusic has missed the mark again. No transposition, no DropBox or any cloud integration. No annotations. No sale (even though it’s free). Maybe version 2 will correct this, but given how fast (or rather, slow) MakeMusic does updates to Finale and its other programs, I think the competition is going to continue to be way ahead of Finale.

If you want a good music reader for iPad, get ForScore

 

Finale Songbook:

I am happy to announce that Finale has finally released its first mainstream iPad app, Finale Songbook. Finale Songbook is a free app that allows you to read Finale files on your iPad. I love the name of the app, as it hearkens back to the song books of the jazz standards. The app opens to the main library, in which you can view your selections by playlists, title, composer, or file name. The library also includes a search bar, as well as a number of sample files and instructions on how to use the app.

 

(Via Technology in Music Education)

How Aebersold Needs To Embrace Technology

March 9, 2012 in Articles

A while ago, I wrote a post/rant about Aebersold pushing the Superscope Elevation software. Enough said about that. But I get these mailings from jazz books.com about sales, and they are still pushing these Superscope CD things that are like $999. Insane.

It makes me wonder WHY Jazzbooks/Aebersold has not embraced the digital age yet. The writing has been on the wall for about 2 years now that print media is a dying business. As is the making of CDs. Aebersold is running the risk of becoming like Kodak.

So, how to change this? Here is what I would propose if I was in charge. First, offer digital versions of the catalog. The play-alongs, put them in Amazon and iTunes for $.99. When someone buys the them that way, they also get the lead sheet in C/Eb/Bb/Bass clef. Would I put them out as tomes like they are now? No. What I would do is fully embrace technology and develop an App that would allow purchases of new songs within it. So, if someone ends up buying 100 songs that Aebersold produces, then they will be within the app, easily searchable, indexed, etc. You could just display the Eb versions, or whatever. And allow annotations of the lead sheets (i.e. let people mark up the sheets if they want).

The App would also have a slowdown function, and the ability to loop sections. Heck, some of the FREE slowdown things on the iPhone/iPad do this already. The ability to change the pitch would also be included, as would the ability to record what you are playing and the ability to hear just what you did, or you with the track. And you can mix it when you are playing back. And send it to like Garageband if you wanted. Or get it out of the App. The annotations that you did you could send via email, or print, or make a PDF.

So, the base App would be free and include maybe a couple of freebee tracks to entice people. Then in-App purchases would be $.99 for a new song complete with Eb/Bb/C/Bass lead sheet.

Ok, that takes care of the legacy Play-Alongs, but what about all the books that they publish. I’m not sure how they would do as EPUBs like in the iBook store. They might do better as a Textbook created with iAuthor. I would think that most of these could be make into PDFs fairly easily. Regardless, they need to be digital. PDF would be great, EPUB if possible, or maybe even an App for each book (like Greg Fishman’s stuff). Though, I would think that if they went the App per book route, they could use the engine that the play-alongs use. Then everything would be all together and you don’t end up with 30 apps for everything.

I don’t know if Aebersold is planning this sort of thing, but they need to. All these sales emails has me concerned, and it just makes more sense. With the iPad continuing to be a huge hit……who wants to carry around huge books or Superscope devices when an iPad can all that and more….

App Review: Circular Breathing by Walter Beasley

February 12, 2012 in Reviews

There are a TON of Apps available for iOS. One app, Circular Breathing by Walter Beasley caught my eye after I read about it on a website I subscribe to in my RSS feeds.

Ok, lets get the good stuff out of the way before I start tearing the “App” apart. It’s a fairly good tutorial/demo of how to circular breathe.

Now, the bad stuff. And there is a lot. First, there is this FREAKING ANNOYING intro music for everything. It was cool the first time. But the start of EVERY VIDEO has it. The start of the App has it. Seriously Walter…..it is annoying as all hell.

Second, the App is just basically a shell with some videos that are chapter-ized. The there are three buttons and a “home” icon. The home icon takes you to Walter’s website….how thoughtful. The Video takes you to the videos. The Bio presents you with a scrollable text of Walter’s bio. And the More button takes you to a page where he’s pawning his other “App” Sound Production For Saxophone, his Facebook, Twitter, “Home” (website link) and YouTube videos.

Beasley1

Third, the App does not remember where you were. And it does not orientate. And it doesn’t really support iPad (you have to scale it).

 

So, is it worth the $1.99? I guess….I think Walter should have included higher quality video with it (for iPad). But I think he could have just released this as a paid video for $1.99 instead.

I give it 5/10. You can easily find tutorials about circular breathing on YouTube for free that are as informative if not more. And they don’t have the annoying intro.

Logitech Wireless Boombox

January 28, 2012 in Reviews

Logitech1

I was in need of a portable speaker for teaching and what not. There are SOO many iPhone/iPod/iPad accessories out there, what one to get?

I decided to get the Logitech Wireless Boombox. It has proven that it performs really really well for me. You can pair it wirelessly (bluetooth) to 8 different devices. In theory that works, but it’s a little flakey in my usage of it. My iOS devices frequently forget or can’t connect to it. Luckily it’s really easy to pair it back up again. Or you can use the included adapter cable to run the audio out of your device into the Boombox. Supposedly the sound isn’t as degraded as it is over bluetooth. I didn’t really notice anything between a wired or wireless audio connection.

The Logitech Wireless Boombox has a built in rechargeable battery. It doesn’t add much weight to the device, and supposedly it lasts about 6 hours. Haven’t tested that. Though the sound quality is quite different when running on the battery. The bass goes away, and the overall sound level drops. When the Boombox is plugged into the AC adapter, it sounds AMAZING for it’s size. Great bass, loud, and generally kicking ass. On battery? Meh….it’s OK…..not great, but do-able.

Could you practice with this? Yes, if it is plugged in. Otherwise, it might not really cut it if you are playing some loud sax or something, but you really want it plugged in all the time because it just sounds a lot better. Almost night and day better.

If you are looking for a portable speaker thing, consider this. The wireless one and the one with the dock are essentially the same thing, except the one with the dock is $20 more (and I think last year’s model).

NAMM 2012

January 21, 2012 in Articles, News

There are a lot of interesting things announced at the NAMM show. Here are some of the ones I thought were interesting.

Behringer Pad-housing USB mixers

BehringerMixeriPad

iPad plus mixer? YES!

Premium 32-Input 4/2-Bus Mixer with iPAD Docking Station, XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface

Technological Innovation, Seamless Integration The Apple iPad has opened a Pandora’s Box of opportunity for musicians. The iX docking station will send signal both two and from your iPad with a wide range of routing options. Tap into the hundreds of music apps including our own FX Processor that lets you dig deeper into your mic with top-notch EQs, studio-quality compressors and reverbs, plus a spectrum analyzer. With a wide variety to choose from in the app store, you can record to Garage Band, tune and monitor your rig through the room analyzer mic input, and more. The opportunities are endless.

 

Sounds cool to me.

 

Wait, another iPad mixer thing……but from Mackie?

MackieMixeriPad

 

With 16 boutique-quality Onyx mic preamps and the performance of 24bit Cirrus Logic® AD/DA converters, you have unparalleled sound quality. Seamless wired to wireless iPad control means you can mix from anywhere in the venue. This gives you the mobile freedom to control not only the mix, but powerful plug-ins like EQ, dynamics, effects and more. The sleek DL1608 even supports up to 10 iPad devices. Forget bulky consoles and racks of gear. The power is at your fingertips.

 

Wait, wasn’t the iPad just a fad? Hmm…..

 

 

 

 

 

Thunderbolt accessories??

UAD

Apollo offers compatibility with Intel’s new Thunderbolt technology, as found on the newest iMacs, MacBook Pros, MacBook Airs, and next-generation PCs. 
Available via a user-installable dual-port Thunderbolt I/O Option Card (sold separately), Thunderbolt provides lower latency, reduced audio buffer size, improved performance, and greater UAD plug-in instances versus FireWire. And because Thunderbolt offers many times the bandwith of FireWire, it allows music producers to connect numerous devices in series with the Apollo interface — including hard drives, processors, and additional computer monitors — all with fast, flawless performance.

 

 

Apogee1

Symphony 64 | Thunderbolt

64 Channel Thunderbolt connection for Apogee Symphony I/O

 

Connect Symphony I/O to any Thunderbolt™ equipped Mac for true Thunderbolt compatibility and performance. Symphony | 64 Thunderbolt will also connect X-Symphony equipped AD-16X, DA-16X, Rosetta 800 and Rosetta 200 converters to Thunderbolt Macs.

 

Two iPad Goodies

November 5, 2011 in Articles

There are a lot of accessories out for the iPad that a musician can use. Two that have caught my attention. The Digitech iPB-10 which slashgear had a review of

This week the the DigiTech iPB-10 has been revealed, a digital pedalboard which will allow your iPad to play host to several music pedals at once. Inside with your iPad running the official app for this device as its plugged into the device itself, you’ll have access to 87 different pedals, 54 amplifiers, and 26 cabinets, all at a flick of your finger. What more could you want? And don’t say a DJ station, because that’s separate, and we’ve done that before as well — read on for guitar iPad action!

iPB10

This thing sounds awesome if you are a guitar player or a EWI effects addict (raises hand meekly). Except…..$499. Though it sounds like it works without the iPad in it, so, you could have presets all ready and not have to put the iPad in there. This thing also has it’s own DSP chips so the quality of sound and perhaps latency might be better. But still…..maybe $299 would be a better price point?

 

The second piece of gear is the Alesis iO Dock. This thing is $199, and has phantom powered mic inputs, quarter inch outputs, pedal input, headphones. And it works with Garageband, so you can record or whatever you want on it. This sounds amazing and is on my Christmas list this year. XLR inputs means you should be able to hook your sax up and start using effects with this baby.

By the way, Garageband is a MUST HAVE iPhone/iPad/iTouch app. It works on all three now. $5.

Uniquesquared.com had an excellent review of it using Garageband.

A Sister’s Eulogy for Steve Jobs

October 30, 2011 in Articles

In case you haven’t noticed, I am insanely interested in Steve Jobs. This man was amazing. I really……really wanted to bump into him someday. Just to say hi. And thanks for the fish…..I mean, cool stuff. Life changing stuff. World changing stuff. iPod. Mac. iPad. iPhone. Computers that run without the need for virus protection. I could go on all day.

Steve’s sister had some amazing words and stories about him….

A Sister’s Eulogy of Steve Jobs:

Even as a feminist, my whole life I’d been waiting for a man to love, who could love me. For decades, I’d thought that man would be my father. When I was 25, I met that man and he was my brother.

By then, I lived in New York, where I was trying to write my first novel. I had a job at a small magazine in an office the size of a closet, with three other aspiring writers. When one day a lawyer called me — me, the middle-class girl from California who hassled the boss to buy us health insurance — and said his client was rich and famous and was my long-lost brother, the young editors went wild. This was 1985 and we worked at a cutting-edge literary magazine, but I’d fallen into the plot of a Dickens novel and really, we all loved those best. The lawyer refused to tell me my brother’s name and my colleagues started a betting pool. The leading candidate: John Travolta. I secretly hoped for a literary descendant of Henry James — someone more talented than I, someone brilliant without even trying.

Good stuff.

The Convergence of Owning Music and Renting Music

October 30, 2011 in Articles

Digital Audio insider had an article up about Renting and Owning music. I wrote some comments on the site that basically say no, I don’t see it happening. People have been saying this since Napster was out. Heck, Rhapsody has been offering this for a long time…..streaming music. Pandora has been doing it for a few years. And now everyone is excited that Spotify (what a stupid name….as stupid as FaceBook…ugh) is in the US. Renting your music just has never taken off.

I certainly don’t see it happening now that AT&T, and Verizon have capped data usage on mobile devices. Oh, but the proposed merger of AT&T and T-Mobile will fix that right (Bullshit!). And they all now cap your internet usage at home (Time-Warner & U-Verse is capped at 250 gigs a month and so are others). So….that is another hurdle for streaming to contend with.

Basically, I like free things that let me FIND music I like. Like Pandora or a PodCast. I LOVE PodCasts. Single best way to find new albums or even hear great things for free.

Then I will buy that song for $0.99 and own it. No re-occuring monthly fee. It’s mine.

 

The Convergence of Owning Music and Renting Music:

for rent sign image by TheTruthAbout via Flickr

Earlier in the week, Hypebot pointed to this eMarketer summary of two recent studies about consumer attitudes about owning music vs. renting it:

The first of the two studies was a survey conduced by Insight Research Group on behalf of eMusic that revealed the widely noted insight that 91% of those polled preferred to own music rather than subscribing to it.

There are real differences, both logistical and psychological, between owning and renting music. But I’ll bet that the preference for ownership will decrease as the listening experience for “owned” and “rented” music converges. If you’re using a website or app to listen to music on your computer or portable device, where the files are coming — your hard drive, your cloud drive, or the server of a music subscription service — doesn’t have much effect on your listening experience. And a year from now, even more people will be using Spotify, iTunes Match, Amazon’s Cloud Player, Google Music, and other services to listen to music. The more they do, the more willing they’ll be to forgo actual ownership.

 

(Via Digital Audio Insider)