by admin
November 22, 2011 in Articles
Since the disappearance of EWI-EVI.com and iBrecker still not really back (is it ever going to be?), there is sort of a void of EWI sites.
Gentlemen and Ladies, may I point you to EWI Reason Sounds. It deals mainly with EWI and Reason, but there is a lot of good info that you could use for whatever DAW you use. Though Reason is a great program.
by admin
July 28, 2010 in Articles
Got an old EWI? Yes? Then check this out:
“The META-EWI is a modified EWI (Akai’s Electric Wind Instrument) to which was added a whole new set of controllers based on sensor technologies, specifically eight continuous controllers and 16 digital switches. These clearly succeed at stretching the expressiveness and the range of musical gestures found on the original instrument allowing the musician to have a more complete and far reaching control of a great variety of meaningful musical parameters.”
by admin
July 24, 2010 in Videos
“Developed by composer and researcher Tomás Henriques, the instrument mixes computer music software, sensor technologies and flexible hand/arm gestures to generate rich, complex sounds.” My question is why? So we can do more Zen type music? Why do all these “demos” of new controllers and stuff always have like an atmosphere drone? I would have been impressed if this guy busted out some changes and played a chorus or two of “Autumn Leaves” or something. But no, we get F-ing drone Zen music. Another Eigenharp type device. Whoohoo!
by admin
June 8, 2010 in Videos
Oh come on, a stand created by K&M? It’s a Bass Clarinet/Bassoon Stand guy. Been around forever. And they include a BACKPACK!?!? Wow, I’m sold.
Seriously though, why? You need to take the “backpack”, the stand, a real laptop, and then the actual Eigenharp to a gig. Oh, plus an amp. So……why didn’t they include a cart? Or a small truck for it?
Well, the guy seems happy…..I guess that is all that matters. When they come out with one that doesn’t need all that crap with it, and costs about 1/2 as much, call me.
by admin
May 26, 2010 in Articles
by admin
March 11, 2010 in Articles, Videos
Ok, now this guy is rocking technology. He’s using a Yamaha WX 5, TouchOSC and an open source program called PureData. Just watching this opens up a LOT of interesting ideas. Like using the TouchOSC to control loops, or change patches, or apply filters, or…….the things are endlessly possible.
by admin
January 18, 2010 in Articles, Videos
Ok, forget that Eigenharp Alpha. What Akai needs to do for the next EWI is something like the Misa Guitar.
Engadget describes it as “Essentially a MIDI controller, the Misa guitar has 24 frets and a large multifunctional touchscreen, which you can use to interface with the appropriate software on your pc.”
Ok, now someone get on putting a large, 10 inch by 2 or 3 inch touch screen on something you can blow into. That would be amazing I think.
by admin
October 9, 2009 in Articles, News
I’m not really sure what to make of this. The Eigenharp Alpha.
“A professional level instrument which allows the musician to play and improvise using a limitless range of sounds with virtuoso skill. The unique design of the keys makes this the most expressive electronic musical instrument ever made. The Alpha can play and record loops, change scale and key, transpose, alter tempo, program beats, create arrangements, switch and layer multiple sounds, all while the musician is performing live on stage.
Available in a variety of finishes, it has 120 highly sensitive keys, 12 percussion keys, 2 strip controllers, a breath pipe and numerous pedal inputs. This gives almost endless possibilities for flexible keyboard layouts, fast instrument switching and expressive musical control. The comprehensive software system provides a wealth of musical performance features, including playback of its own native instruments, many common software plugins, soundfonts or midi instruments.
If you go to their YouTube page, they have some sort of private demo. On the one hand, it looks kinda cool with the sliding and stuff. But why add a breath thing to it? Why not just make the touch surface sensitive to how you touch it? And do we really want lame-o drum and bass lines like that? Really?
For 4K pounds ($7,000 US?) I’d expect something a little more cooler in the sounds department. It seems like this is a swiss-army knife of musical instruments. I mean, in the private demo, they had someone play GUITAR with them. Seriously? You mean this thing can’t do strumming like a guitar? Why not?
Interesting idea, but doomed to failure. They also have plans for a smaller version.
Create Digital Music has a link here and here for more information.
by admin
December 23, 2008 in Articles
Two quick updates. For all you Akai EWI 4000 owners, Akai released new firmware for it. Version 2.4 is out. Not a lot of differences according to the readme other than Oboe and Flute fingerings.
TGTools, the essential plugin for Finale users finally received an update to work with Finale 2009. Version 2.5 doesn’t seem to have any new features, but all the existing features of TGTools finally work correctly with Finale 2009.
Happy times.
by admin
October 31, 2008 in News
Suppose you want to play EWI. But you don’t want to play the Studebaker one. And you don’t particularly need nor want to visit the 70s and early 80s with the Analogue synth found in the EWI4000S.
Fear not, Akai has heard your pleas.
” Akai Professional, the name synonymous with music production, announces EWI USB, its latest wind controller, is now shipping.
EWI USB enables anyone, regardless of wind instrument-playing experience, to perform with the expressive capabilities of the wind instrument of their choice. The wind controller features a plug-and-play USB interface for use with the included Aria software with Garritan and Akai Professional samples as a sound source. EWI USB is Mac and PC compatible.”
They also have more detailed information on their website now. People who want to pretend they play Cello, or Oboe, or whatever will be delighted with the Garritan Aria player that comes with the EWI USB. List price is $299. Not a bad deal.
I somehow think Akai has good humor in announcing this on Halloween.
by admin
January 6, 2008 in Videos
I’ve been doing some research for an upcoming article on the Akai EWI, and I’ve been researching Masato Honda. This is the guy, I believe, who played the famous Cowboy Bebop Tank! Alto Saxophone solo. He is also a master of the EWI, frequently playing it with the group T-Square. Anyhow, I came across this video of him playing four recorders with T-Square. Amazing stuff.
I think the most ingenious thing was the “stand” he had them on, and using a vocal microphone to amplify them. Oh, and running them through an effects processor towards the end.
UPDATE: 1/6/08: BTW, if anyone knows exactly what Masato Honda’s EWI setup is/was, that would be great to know. It looks like a 3020, but most of the youtube clips I’ve seen he has his EWI colored, so…..
by admin
by admin
October 25, 2007 in Articles, Videos
Pretty much anything Michael Brecker did was awe inspiring. I remember back in the day seeing the Michael Brecker band when I was in High School. I had no clue who he was. I was a newbie, or noob at the whole saxophone thing. I basically went to the concert to see Spyro Gyra. Anyhow, Michael Brecker blew me away when he played saxophone, then he did something like this:
Years of the therapy has not helped so far…..and it still is amazing what he could do.
by admin
April 21, 2007 in Articles
iBrecker has a new article up about Michael Brecker’s last EWI/Computer setup. Basically, the advance of software allowed Michael to replace 2, five foot racks of tone modules with a Logic and Reason. Amazing stuff. Michael’s EWI/Computer setup is going to be profiled in an upcoming issue of Virtual Instruments magazine. Look for it.
Update: 04/23 00:06 GMT by E :Oops, forgot to put the link to the iBrecker article. Fixed.
Virtual Instruments Magazine has a link to the diagram of the Logic Environment.
by admin
April 17, 2006 in Articles
Over this weekend, I got into this heated argument on a Yahoo group about Wind Controllers. I was interested in perhaps getting a new EWI 4000 to supplement my practicing. I said in one post that I thought a lot of the people using the controller as a sax made it sound cheesy. And, honestly, the sounds do sound cheesy. And I stated that you should try to be a sax, or a flute at all because it just doesn’t sound right. Wow. The little people on that list blew up, calling my statements “stupid”, calling me “bipolar” when I said that the Garritan Jazz Band sounds sound good (but not good enough) and slandering me about everything under the moon. The moderator, Matt at Patchman Music decided to just remove me from the list without any explanation. Nice moderating there guy.
I thought it was really interesting that these guys have deluded themselves into thinking that playing a flute patch, or sax patch sounds as good as the real thing. One gem, was posted by this german guy “We emulators must have come very close to the “real thing” otherwise they wouldn’t feel to threatened and be so passionate about preventing emulation”. I totally don’t agree. You are doing a disservice to the music community. Whatever happened to tone? Isn’t tone the most important part of someone’s playing? If you are proficient on wind controller, why not just play the real instrument then? There is not much of a leap from EWI to clarinet. Why not just play it as it’s own instrument with it’s own unique sound?
Ah, anyhow, the little group there seems to think not. Thus I got bounced, though people who slandered me seem to have been allowed to continue to post. I think the wind controller players are limiting themselves if they do emulation, or even think it sounds a “believable” substitute for a real instrument. Steps Ahead would not be on my iPod if Brecker was using a flute patch to play all those songs.
But what do you all think? EWI as a substitute for a real instrument? As it’s own entity (ala Brecker)? I am totally for the latter, and opposed to the former.
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