Bravo sir. Bravo.
Well said sir. Though….maybe a shave is in order?
Sorta a behind the scenes of the latest Big Phat Band album
Yamaha has two videos up of the Gordon Goodwin Phat band playing a holiday concert.
It is also in iTunes under Podcasts->Yamaha Wind Instrument Podcasts (there are lots of other good videos in there too)
Note: the two solo mics sucked. WTF. The rest of the mics were good, but shure 58s? Really? Should have stuck with sennheisers or something.
As frequent readers of Jazz-Sax.Com will know, I won a pretty awesome M-Audio package. I really did not have the “horse power” to use it until my G4 PowerMac decided to die. Followed by my G4 Cube (though that was probably more me messing around with it than it just dying on it’s own accord. IE: It was apart and being messed with). Anyhow, I invested in a new MacPro 2.88 Dual QuadCore computer. Whoa. Fast!
Anyhow, a big band I play in is in the process of recording a demo. We’ve had two concert recordings. The first, according to the engineer, didn’t come out so clean, and would require a lot of work. The second came out way better. I was able to obtain the ProTools session from the first recordings, and have been using ProTools M-Powered to clean it up and what not.
Now, the question is actually two questions. What is the best studio recording of a Big Band, and what is the best live recording of a big band? For the former, I’d have to say Gordon Goodwin’s Big Phat Albums are amazingly well done. For the latter, I think the one that sticks out in my mind is Frank Sinatra and Count Basie – Sinatra at the Sands.
This is pure gold. 10 songs, playing with the Gordon Goodwin band. The solos are written out. The chart is there. Everything. You get a small clip of the band playing the tune (full band), and then you get the band minus your part and the solos. It’s the actual recording. Hunting Wabbits, yes, it’s the same as the recording. If you listen hard, you can hear a very faint bleed in from the solos.
You need to get this. You need to get both the Alto and the Tenor versions as the written solos are not the same in both books (IE: the solo for Swingin for the Fences is in the Alto book, but not in the Tenor. The solo for Jazz Police is in the Tenor book, but not the Alto).
On a scale of 10, I give this series of books a 12. No, a 14. Hell, ok, 15. It’s good stuff. Very good stuff.