<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Jazz-Sax.Com &#187; Hardware</title>
	<atom:link href="http://www.jazz-sax.com/tag/hardware/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.jazz-sax.com</link>
	<description>Jazz-Sax, all things Jazz and Sax</description>
	<lastBuildDate>Sun, 05 Feb 2012 02:05:01 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>The Conn-O-Sax</title>
		<link>http://www.jazz-sax.com/2008/11/the-conn-o-sax/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-conn-o-sax</link>
		<comments>http://www.jazz-sax.com/2008/11/the-conn-o-sax/#comments</comments>
		<pubDate>Mon, 10 Nov 2008 08:22:28 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Antique]]></category>
		<category><![CDATA[conn]]></category>
		<category><![CDATA[Conn-O-Sax]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[instrument]]></category>
		<category><![CDATA[rare]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=1270</guid>
		<description><![CDATA[Tweet While surfing the net, I came across the strange instrument called the Conn-O-Sax. There is one on Ebay right now that can be bought for the princely sum of $100,000 (I kid NOT). Conn made these to spur sales that had been slumpin. Seems they made them from 1915 to 1925, and they believed [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2008/11/the-conn-o-sax/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>AKG C214</title>
		<link>http://www.jazz-sax.com/2008/05/akg-c214/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=akg-c214</link>
		<comments>http://www.jazz-sax.com/2008/05/akg-c214/#comments</comments>
		<pubDate>Mon, 26 May 2008 07:49:13 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[akg]]></category>
		<category><![CDATA[c214]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=992</guid>
		<description><![CDATA[Tweet AKG has a new mic out, the AKG C214. From the press release: Based on one of the most successful studio mics released by AKG, the C 414 model, and using all the feedback that during 30 years they have received from its users (maybe they could release a new version earlier, but…), AKG [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2008/05/akg-c214/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grafton Alto Sax</title>
		<link>http://www.jazz-sax.com/2008/01/grafton-alto-sax/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=grafton-alto-sax</link>
		<comments>http://www.jazz-sax.com/2008/01/grafton-alto-sax/#comments</comments>
		<pubDate>Mon, 28 Jan 2008 19:51:56 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[alto]]></category>
		<category><![CDATA[charlie parker]]></category>
		<category><![CDATA[Grafton]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[plastic]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Saxophone]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=949</guid>
		<description><![CDATA[Tweet After the previous article on a new line of Plastic Saxophones, lets examine a previous, and famous, attempt at making such an instrument. Here is Peter King playing one the legendary Grafton Alto Sax played by Charlie Parker. Here is a great review of the Grafton Alto Sax.]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2008/01/grafton-alto-sax/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>All Plastic Saxophone</title>
		<link>http://www.jazz-sax.com/2008/01/all-plastic-saxophone/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=all-plastic-saxophone</link>
		<comments>http://www.jazz-sax.com/2008/01/all-plastic-saxophone/#comments</comments>
		<pubDate>Mon, 28 Jan 2008 19:44:57 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[plastic]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[wtf]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=948</guid>
		<description><![CDATA[Tweet There seems to be a resurgence in this idea. Enter the Vibrotosax. To create more saxophonist in the world is our prime concern. Our designer team need to accomplish 3 objectives&#8230;.Design a saxophone that everyone can afford, provide a standard fingering configuration and producce a solid saxophone sound. The solution: to replace brass with [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2008/01/all-plastic-saxophone/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Keyless Saxophones</title>
		<link>http://www.jazz-sax.com/2007/09/keyless-saxophones/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=keyless-saxophones</link>
		<comments>http://www.jazz-sax.com/2007/09/keyless-saxophones/#comments</comments>
		<pubDate>Mon, 17 Sep 2007 02:42:38 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Demo]]></category>
		<category><![CDATA[Ebay]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[Saxophone Makers]]></category>
		<category><![CDATA[Tube]]></category>
		<category><![CDATA[Waste Of Money?]]></category>
		<category><![CDATA[Whaaaat?]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=862</guid>
		<description><![CDATA[Tweet When I was in college, I heard the story of Siguard Rascher having a keyless saxophone. Basically, a conical tube in the shape of a sax. Mr. Rascher was reported to be able to play anything on it. Well, looks like you can actually get one and try to be a virtuoso like Siguard [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/09/keyless-saxophones/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Yamaha&#8217;s Tenori</title>
		<link>http://www.jazz-sax.com/2007/09/yamahas-tenori/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=yamahas-tenori</link>
		<comments>http://www.jazz-sax.com/2007/09/yamahas-tenori/#comments</comments>
		<pubDate>Sun, 09 Sep 2007 21:02:53 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[cool?]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[new instrument]]></category>
		<category><![CDATA[techie]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Whaaaat?]]></category>
		<category><![CDATA[what the heck]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=853</guid>
		<description><![CDATA[Tweet Yamaha has a new thing out, called the Tenori Media artist Toshio Iwai and Yamaha have collaborated to design a new digital musical instrument for the 21st century, TENORI-ON. A 16&#215;16 matrix of LED switches allows everyone to play music intuitively, creating a &#8220;visible music&#8221; interface. Check out a video of it Create Digital [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/09/yamahas-tenori/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Roland KC 550</title>
		<link>http://www.jazz-sax.com/2007/09/roland-kc-550/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=roland-kc-550</link>
		<comments>http://www.jazz-sax.com/2007/09/roland-kc-550/#comments</comments>
		<pubDate>Mon, 03 Sep 2007 02:46:53 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[amp]]></category>
		<category><![CDATA[gig]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[portable]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[roland]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=838</guid>
		<description><![CDATA[Tweet I recently bought a Roland KC 550. It is a keyboard amp, but you can use it for many other things. I bought it for some gigs this summer. It has an XLR microphone input, plus 3 additional inputs. Easily enough to share with a keyboard player, your EWI and your Sax mic. We [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/09/roland-kc-550/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Infrant ReadyNAS NV</title>
		<link>http://www.jazz-sax.com/2006/07/infrant-readynas-nv/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=infrant-readynas-nv</link>
		<comments>http://www.jazz-sax.com/2006/07/infrant-readynas-nv/#comments</comments>
		<pubDate>Sun, 30 Jul 2006 04:01:20 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Computer]]></category>
		<category><![CDATA[fileserver]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[infrant]]></category>
		<category><![CDATA[itunes]]></category>
		<category><![CDATA[mp3s]]></category>
		<category><![CDATA[nas]]></category>
		<category><![CDATA[OS X]]></category>
		<category><![CDATA[raid 5]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[storage]]></category>

		<guid isPermaLink="false">http://192.168.1.6/?p=5</guid>
		<description><![CDATA[Tweet About 3 or so years ago, I totally got into the iPod. At first, I didn&#8217;t see the point. I do now. Having thousands or tens of thousands of songs available, instantly, is amazing. You can call up an exercise you record in Band in a Box, or perhaps a Cannonball solo, and drag [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2006/07/infrant-readynas-nv/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ingredients of the Earl Bostic sound</title>
		<link>http://www.jazz-sax.com/2005/02/ingredients-of-the-earl-bostic-sound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ingredients-of-the-earl-bostic-sound</link>
		<comments>http://www.jazz-sax.com/2005/02/ingredients-of-the-earl-bostic-sound/#comments</comments>
		<pubDate>Tue, 15 Feb 2005 13:30:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[earl bostic]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Mouthpiece]]></category>
		<category><![CDATA[Setup]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Anonymous Coward writes &#8220;I want to cultivate an Earl Bostic sound on the Alto&#8211;big and blowsy. (Right now it&#8217;s small and lousy.) What equipment did he use to get that unmistakeable Bostic sound?&#8221; Thinking that strickly equipment will help you is a flaw. He could have probably used anything and still sounded like Earl [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2005/02/ingredients-of-the-earl-bostic-sound/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Selmer Or Yamaha?</title>
		<link>http://www.jazz-sax.com/2005/01/selmer-or-yamaha/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=selmer-or-yamaha</link>
		<comments>http://www.jazz-sax.com/2005/01/selmer-or-yamaha/#comments</comments>
		<pubDate>Sat, 08 Jan 2005 21:36:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[best]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Makers]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[professional]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[selmer]]></category>
		<category><![CDATA[Yamaha]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet jazzboy writes &#8220;So which one is the best Selmer or Yamaha? I have played sax for around 1 year and a half. 2 months ago I got a Yamaha yts-575 allegro tenor sax. After a few weeks me and my dad went searching on the internet and found a much better horn at the [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2005/01/selmer-or-yamaha/feed/</wfw:commentRss>
		<slash:comments>29</slash:comments>
		</item>
		<item>
		<title>Accent Brand Saxophones</title>
		<link>http://www.jazz-sax.com/2003/11/accent-brand-saxophones/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=accent-brand-saxophones</link>
		<comments>http://www.jazz-sax.com/2003/11/accent-brand-saxophones/#comments</comments>
		<pubDate>Thu, 20 Nov 2003 18:39:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Makers]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Saxophone]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet harry63 writes &#8220;Has anyone had the chance to play on the the Accent Brand of instruments? From what I have been told by salesman is that this brand was started by a group of music teachers to create high quality instruments at lower prices for school music programs. Each instrument is a &#8220;knock-off&#8221; of [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2003/11/accent-brand-saxophones/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Series 3 Opinion</title>
		<link>http://www.jazz-sax.com/2003/09/series-3-opinion/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=series-3-opinion</link>
		<comments>http://www.jazz-sax.com/2003/09/series-3-opinion/#comments</comments>
		<pubDate>Tue, 16 Sep 2003 21:38:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[good]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[selmer]]></category>
		<category><![CDATA[series iii]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet jason writes &#8220;I recently was interested in a pro sax that I would stick with through high school and most of my colledge years as well. I must have played on over 25 horns! Finally I came at last to a particular series 3 (alto. I warmed up and played a few licks. I [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2003/09/series-3-opinion/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Octave Key Problems</title>
		<link>http://www.jazz-sax.com/2003/03/octave-key-problems/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=octave-key-problems</link>
		<comments>http://www.jazz-sax.com/2003/03/octave-key-problems/#comments</comments>
		<pubDate>Wed, 19 Mar 2003 10:26:35 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[octave key]]></category>
		<category><![CDATA[problem]]></category>
		<category><![CDATA[repair]]></category>
		<category><![CDATA[Saxophone]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet SaxMan0216 writes &#8220;I got a Selmer Series III alto sax 13 months ago (coincidentally, exactly 13 months today). Since getting it, I&#8217;ve been getting more and more used to it&#8217;s pitch centers and tonal differences. I changed from a Selmer C* mouthpiece to a Selmer C, I use Vandoren #3s for concert playing and [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2003/03/octave-key-problems/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Phil Woods/Freehand</title>
		<link>http://www.jazz-sax.com/2003/02/phil-woodsfreehand/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=phil-woodsfreehand</link>
		<comments>http://www.jazz-sax.com/2003/02/phil-woodsfreehand/#comments</comments>
		<pubDate>Thu, 13 Feb 2003 21:42:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[freehand]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[phil woods]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Whaaaat?]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet I somehow get a Yamaha Magazine called &#8220;Backstage Pass&#8221;. It&#8217;s usually not a good read, however the Spring 2003 issue has some interesting stuff in it. There is a good article about Mark Rivera, Frankie Perez, Jeff Coffin, Lennie Niehaus, and the venerable Phil Woods. All these guys are Yamaha artists, and the articles [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2003/02/phil-woodsfreehand/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Sticky Pads On A Keilwerth</title>
		<link>http://www.jazz-sax.com/2003/01/sticky-pads-on-a-keilwerth/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sticky-pads-on-a-keilwerth</link>
		<comments>http://www.jazz-sax.com/2003/01/sticky-pads-on-a-keilwerth/#comments</comments>
		<pubDate>Thu, 30 Jan 2003 11:41:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[keilwerth]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[problem]]></category>
		<category><![CDATA[sticky pads]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet per-misaer writes &#8220;I bought this Keilwerth sx90r tenor a year and a half ago. It sounds fine, and after some minor adjustments the action is fine to. One annoying problem remains though. The sticky pads! I was told that the stickynes had something to do with the pads beeing impregnated, and that the problem [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2003/01/sticky-pads-on-a-keilwerth/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
	</channel>
</rss>

