You are browsing the archive for Law.

Judge Approves Rates For Streaming Music Service

November 29, 2001 in News

Newsbytes has this Story.

‘A federal judge has approved an interim agreement over royalties to be paid to songwriters and publishers when radio stations stream music online. The rates are set somewhere between those requested by the parties involved: music-licensing agency BMI, and the Radio Music License Committee, which represents the radio industry in music licensing disputes. “We’re happy to see that there is a new revenue source for writers and artists and also new promotional opportunities,” an attorney said.’

Cool. I’d like to see this turn into something big. Like being able to preview 30-60 seconds before you buy, GOOD pricing, etc, etc….

EFF’s Open Audio License

September 8, 2001 in Articles

The EFF is staging a public concert in San Francisco’s Golden Gate Park to promote its “Open Audio License” (OAL), a music license based loosely on the GPL.

There is also an interesting critique that discusses the intended and unintended effects of the EFF’s license, and suggests alternatives that might be more beneficial (and more palatable) to musicians, composers, and performers.

Slashdot.org also has a discussion on this as well.

Music Released “OpenMusicRegistry”

May 15, 2001 in Articles

Here is an article I found on Newsforge.com.


A couple of music lovers think the Electronic Freedom Foundation's Open Audio license is such a good idea they want to provide a place for musicians to list their pieces released on the new Open Source-inspired music license.


Stuart Whitmore, founder of the fledgling OpenMusicRegistry.org is planning a formal launch of the site later this month. Whitmore and site music consultant Scott Wedel hope their site will become a directory of artists who have chosen to release songs under the new Open Audio License.

Under the new audio license, released by the EFF April 21, artists retain their copyrights but allow the public to "freely access, copy, distribute, modify, create derivative works from, and publicly perform the work ..." People who use the work agree to attribute the original author.

Whitmore sees the potential for OpenMusicRegistry.org to be a resource where listeners can check out unsigned artists, businesses can find royalty-free "on-hold" music, managers can find background music for multimedia presentations, and artists can sample each others' work. There are probably more uses the founders haven't thought of yet, says Whitmore, a Web developer by day.

The site's artists page lists several potential benefits for artists: "Maximizing exposure of your work; finding other artists for collaboration projects; demonstrating to your 'significant other,' parent(s), teacher, etc. that you actually do something with your equipment and education; receiving an invitation to perform at the White House."

Under "potential benefits you'll gain from not adding your work," the site as a blank space.

"I thought if there was some central location where musicians could go to post their work, it'd be a useful tool," says Whitmore, who describes himself as more of a music fan than a musician.

The site won't be a place for musicians to actually upload their songs, Whitmore says, because there are other places that specialize in that service. Instead, he hopes OpenMusicRegistry will be a substantial list of music released under the Open Audio license, with links to the music. Right now, the site isn't much more than a list -- Whitmore wants to keep it simple for the launch -- but he plans to add more features as users request them. One example is a search function where users could search for the type of music or the length of a piece, such as a classical piece four minutes long.

So far, OpenMusicRegistry.org has only its own music consultant, Scott Wedel, participating as an artist, but the site has received no publicity. Whitmore says he's unsure how well the Open Artist license has been received, and officials at the EFF weren't available to provide numbers. Whitmore says he doesn't yet have goals for numbers of users and artists, other than "as many as possible."

Whitmore has used Linux since the early '90s, and he sees OpenMusicRegistry has a way to give back to the community. "[Open Source] has been something I've been interested in for awhile, but I haven't been able to contribute much to the community," he says. "Maybe this is a way to do that."

Clifford Brown Aebersold Play-Along

April 16, 2001 in Articles

I was browsing the Jamey Aebersold website, ordering some new stuff and to contact them about a book I bought a couple of weeks ago. Anyways, I noticed that in their list of play-Alongs, Volume 53, Clifford Brown, was not listed. So, in my email I asked about that and to book that I bought and I got this response from them:"Unfortunately, the owners of Clifford's copyrights (not his family) decided they no longer wanted to grant permission to use his
compositions. We were allowed, however, to sell off our stock. While we sold out of CD's several years ago, we do still have a VERY small number of cassette versions available for $13.95 plus shipping for the book and cassette. Call our 800 # at 1-800-456-1388 to order."

Very interesting stuff. If you have that volume, 53, the Clifford Brown, on CD, hold on to it.

[Close Ad]