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	<title>Jazz-Sax.Com &#187; sound</title>
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	<link>http://www.jazz-sax.com</link>
	<description>Jazz-Sax, all things Jazz and Sax</description>
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		<title>Does The Finish Affect The Sound?</title>
		<link>http://www.jazz-sax.com/2011/04/does-the-finish-affect-the-sound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=does-the-finish-affect-the-sound</link>
		<comments>http://www.jazz-sax.com/2011/04/does-the-finish-affect-the-sound/#comments</comments>
		<pubDate>Thu, 07 Apr 2011 18:07:37 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[finishes]]></category>
		<category><![CDATA[greg vail]]></category>
		<category><![CDATA[lacquer]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[wwbw]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=3470</guid>
		<description><![CDATA[Tweet Found this interesting article at WWBW (which is a great place to get stuff BTW) by Greg Vail. &#8220;With that said, let&#8217;s start with the most common finish – lacquer. Lacquer is a liquid substance that dries hard, protecting the metal of the sax and maintaining its beautiful appearance. Most saxophones are made primarily [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2011/04/does-the-finish-affect-the-sound/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>DYI Saxophone Reflector Project</title>
		<link>http://www.jazz-sax.com/2010/11/dyi-saxophone-reflector-project/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dyi-saxophone-reflector-project</link>
		<comments>http://www.jazz-sax.com/2010/11/dyi-saxophone-reflector-project/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 08:38:33 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[DYI]]></category>
		<category><![CDATA[hearing]]></category>
		<category><![CDATA[reflector]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=3034</guid>
		<description><![CDATA[Tweet Interesting project from the UK. Here, I think you&#8217;d need to go visit TAP Plastics and get a 8 1/2&#8243; by 12&#8243; sheet, and maybe a Pop Screen to modify.]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2010/11/dyi-saxophone-reflector-project/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with the creator of the Apple startup sound</title>
		<link>http://www.jazz-sax.com/2010/03/interview-with-the-creator-of-the-apple-startup-sound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=interview-with-the-creator-of-the-apple-startup-sound</link>
		<comments>http://www.jazz-sax.com/2010/03/interview-with-the-creator-of-the-apple-startup-sound/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 19:27:38 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[chords]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[mac]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Startup]]></category>
		<category><![CDATA[Theory]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=1710</guid>
		<description><![CDATA[Tweet TUAW had a great article last week. An interview with the guy who created the startup sound on Macs, Jim Reekes. It&#8217;s amazing the amount of math, thought and stuff that went into this. Long live the Cmajor startup sound.]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2010/03/interview-with-the-creator-of-the-apple-startup-sound/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Boots Randolph&#8217;s Rock And Roll Saxophone</title>
		<link>http://www.jazz-sax.com/2007/12/boots-randolphs-rock-and-roll-saxophone/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=boots-randolphs-rock-and-roll-saxophone</link>
		<comments>http://www.jazz-sax.com/2007/12/boots-randolphs-rock-and-roll-saxophone/#comments</comments>
		<pubDate>Mon, 10 Dec 2007 06:24:33 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Boot Randolph]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=922</guid>
		<description><![CDATA[Tweet Boots Randolph&#8217;s Rock and Roll Saxophone &#8211; Techniques and Fundamentals for Today&#8217;s Players by Boots Randolph and Mike Shannon is 63 pages that try to show you how to play rock and roll like Boots. Not that Boots playing could in any way be condensed down to so few pages. The first part of [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/12/boots-randolphs-rock-and-roll-saxophone/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beechler vs Larsen</title>
		<link>http://www.jazz-sax.com/2007/08/beechler-vs-larsen/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beechler-vs-larsen</link>
		<comments>http://www.jazz-sax.com/2007/08/beechler-vs-larsen/#comments</comments>
		<pubDate>Sat, 18 Aug 2007 20:17:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[beechler]]></category>
		<category><![CDATA[larsen]]></category>
		<category><![CDATA[Mouthpieces]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Saxcessful writes &#8220;I have been playing a Berg 100/0 on my tenor with various reeds, depending on the mood. Recently I have been offered (on the net) a Beechler Bellite 8 which is about the same lay but I have no idea about what sort of sound they produce. I am familiar with a [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/08/beechler-vs-larsen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Saxophone Necks?</title>
		<link>http://www.jazz-sax.com/2007/07/saxophone-necks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=saxophone-necks</link>
		<comments>http://www.jazz-sax.com/2007/07/saxophone-necks/#comments</comments>
		<pubDate>Tue, 31 Jul 2007 21:17:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[intonation]]></category>
		<category><![CDATA[mark vi]]></category>
		<category><![CDATA[necks]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Yamaha]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet hammertime829 writes &#8220;I was wondering if anybody could tell me if getting a new neck for a saxophone makes a big difference in the sound or intonation?&#8221; Great question. Anybody? I know a guy who plays a Selmer Mark VI with a Yamaha neck&#8230;&#8230;&#8230;works for him, so he says.]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/07/saxophone-necks/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Metal Mouthpieces and Spoilers</title>
		<link>http://www.jazz-sax.com/2005/10/metal-mouthpieces-and-spoilers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=metal-mouthpieces-and-spoilers</link>
		<comments>http://www.jazz-sax.com/2005/10/metal-mouthpieces-and-spoilers/#comments</comments>
		<pubDate>Mon, 17 Oct 2005 21:06:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[metal mouthpieces]]></category>
		<category><![CDATA[Mouthpieces]]></category>
		<category><![CDATA[setups]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[spoilers]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet pika writes &#8220;What do people think about the metal mouthpieces with spoilers? How much louder do they make you sound(tener sax) because i was thinking about getting one for marching band. Email me if you know anything.&#8221; First off, we don&#8217;t &#8220;email me if you know anything&#8221;. That also goes for people who &#8220;please [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2005/10/metal-mouthpieces-and-spoilers/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Jazz Oboe &#8211; Yusef Lateef</title>
		<link>http://www.jazz-sax.com/2005/04/jazz-oboe-yusef-lateef/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jazz-oboe-yusef-lateef</link>
		<comments>http://www.jazz-sax.com/2005/04/jazz-oboe-yusef-lateef/#comments</comments>
		<pubDate>Wed, 20 Apr 2005 14:13:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Oboe]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[yusef lateef]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet yampol writes &#8220;As long as we&#8217;re talking about doubling on oboe, let&#8217;s talk about jazz oboe. The first player that comes to mind is the amazing multi-instrumentalist, composer, educator, band-leader Yusef Lateef. His Eastern Sounds and Three Faces albums made a very strong impression on me. Check out the track &#8220;I&#8217;m Just a Lucky [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2005/04/jazz-oboe-yusef-lateef/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Software Synths</title>
		<link>http://www.jazz-sax.com/2005/04/software-synths/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=software-synths</link>
		<comments>http://www.jazz-sax.com/2005/04/software-synths/#comments</comments>
		<pubDate>Mon, 04 Apr 2005 23:54:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[microsoft]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet I&#8217;ve recently become fascinated with Software Synths. These use gigabytes of libraries to deliver incredible sounds to people using Midi. I&#8217;ve heard Tascam&#8217;s Gigastudio. Wow. The one that I&#8217;m totally into now is Native Instrument&#8217;s Battery. The drum sound are simply the best I&#8217;ve ever heard. It&#8217;s amazing what a good drum track will [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2005/04/software-synths/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Ingredients of the Earl Bostic sound</title>
		<link>http://www.jazz-sax.com/2005/02/ingredients-of-the-earl-bostic-sound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ingredients-of-the-earl-bostic-sound</link>
		<comments>http://www.jazz-sax.com/2005/02/ingredients-of-the-earl-bostic-sound/#comments</comments>
		<pubDate>Tue, 15 Feb 2005 13:30:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[earl bostic]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Mouthpiece]]></category>
		<category><![CDATA[Setup]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Anonymous Coward writes &#8220;I want to cultivate an Earl Bostic sound on the Alto&#8211;big and blowsy. (Right now it&#8217;s small and lousy.) What equipment did he use to get that unmistakeable Bostic sound?&#8221; Thinking that strickly equipment will help you is a flaw. He could have probably used anything and still sounded like Earl [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2005/02/ingredients-of-the-earl-bostic-sound/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Modern Substitute For A Vintage Meyer</title>
		<link>http://www.jazz-sax.com/2004/12/modern-substitute-for-a-vintage-meyer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=modern-substitute-for-a-vintage-meyer</link>
		<comments>http://www.jazz-sax.com/2004/12/modern-substitute-for-a-vintage-meyer/#comments</comments>
		<pubDate>Mon, 06 Dec 2004 21:46:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[meyer]]></category>
		<category><![CDATA[Mouthpieces]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[replacement]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Vintage]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Ok, so, there was this guy on Ebay that was hinting at giving you information on a mouthpiece that plays better than the 1980s on out Meyer mouthpieces. It was included as a bonus for winning the item on Ebay. So, I won the item on Ebay. I&#8217;m very happy with the item. Its [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2004/12/modern-substitute-for-a-vintage-meyer/feed/</wfw:commentRss>
		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Liebman &#8211; Developing a Personal sax Sound</title>
		<link>http://www.jazz-sax.com/2004/11/liebman-developing-a-personal-sax-sound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=liebman-developing-a-personal-sax-sound</link>
		<comments>http://www.jazz-sax.com/2004/11/liebman-developing-a-personal-sax-sound/#comments</comments>
		<pubDate>Tue, 02 Nov 2004 01:56:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[david liebman]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Andy Davey writes &#8220;I&#8217;ve been reading through your site for a number of years now and find it really interesting. Recently went to a gig in the UK featuring one of the sax tutors from the Birmingham Conservertiore. She played really well and was getting a great sound out of what I thought was [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2004/11/liebman-developing-a-personal-sax-sound/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>E. Rousseau Jazz or Studio Jazz Mouthpieces?</title>
		<link>http://www.jazz-sax.com/2004/06/e-rousseau-jazz-or-studio-jazz-mouthpieces/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=e-rousseau-jazz-or-studio-jazz-mouthpieces</link>
		<comments>http://www.jazz-sax.com/2004/06/e-rousseau-jazz-or-studio-jazz-mouthpieces/#comments</comments>
		<pubDate>Sun, 27 Jun 2004 13:39:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[meyer]]></category>
		<category><![CDATA[Mouthpiece]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Rousseau]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Master Asia writes &#8220;My teacher lended me a E.Rousseau Jazz mouthpiece to test whether I like that one or the Studio Jazz model. The only obvious difference between the two is that the Jazz model has a huge baffle, and the Studio Jazz doesn&#8217;t. I was thinking about sticking to the Jazz model but [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2004/06/e-rousseau-jazz-or-studio-jazz-mouthpieces/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Do You Get That Scraping Sound?</title>
		<link>http://www.jazz-sax.com/2004/03/how-do-you-get-that-scraping-sound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-do-you-get-that-scraping-sound</link>
		<comments>http://www.jazz-sax.com/2004/03/how-do-you-get-that-scraping-sound/#comments</comments>
		<pubDate>Tue, 02 Mar 2004 12:23:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[help]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Techinque]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet An anonymous coward writes &#8220;the other day i was listening to some jazz music, and i noticed that the sax&#8217;s sound was like scraping trough the instrument. how do they get that sound?? could you help me?? Thanks&#8221; I have no clue as to exactly what you mean. Want to cite some recordings/songs/people to [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2004/03/how-do-you-get-that-scraping-sound/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Charlie Parker&#8217;s Mouthpiece &#8211; as described by Mingus</title>
		<link>http://www.jazz-sax.com/2003/09/charlie-parkers-mouthpiece-as-described-by-mingus/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=charlie-parkers-mouthpiece-as-described-by-mingus</link>
		<comments>http://www.jazz-sax.com/2003/09/charlie-parkers-mouthpiece-as-described-by-mingus/#comments</comments>
		<pubDate>Wed, 03 Sep 2003 23:33:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[charlie parker]]></category>
		<category><![CDATA[mingus]]></category>
		<category><![CDATA[Mouthpiece]]></category>
		<category><![CDATA[Saxophone Players]]></category>
		<category><![CDATA[Setup]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Bopfanatic writes &#8220;Can anyone help me decipher this? In his autobiography, &#8216;Beneath the Underdog&#8217;, Mingus recalls a conversation with Lucky Thompson, who tells him that Bird used a &#8220;number 30 open lay mouthpiece&#8221;. Does anyone know what the &#8220;number 30&#8243; means, like what brand used that numbering system, or what the equivalent tip opening [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2003/09/charlie-parkers-mouthpiece-as-described-by-mingus/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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