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	<title>Jazz-Sax.Com &#187; technique</title>
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	<link>http://www.jazz-sax.com</link>
	<description>Jazz-Sax, all things Jazz and Sax</description>
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		<title>Articulation Study from Apollon Marie-Rose Barret</title>
		<link>http://www.jazz-sax.com/2012/01/articulation-study-from-apollon-marie-rose-barret/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=articulation-study-from-apollon-marie-rose-barret</link>
		<comments>http://www.jazz-sax.com/2012/01/articulation-study-from-apollon-marie-rose-barret/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 04:18:46 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Sheet Music]]></category>
		<category><![CDATA[articulation]]></category>
		<category><![CDATA[Barret]]></category>
		<category><![CDATA[exercise]]></category>
		<category><![CDATA[Oboe]]></category>
		<category><![CDATA[study]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=4335</guid>
		<description><![CDATA[Tweet I was digging through my archive of Finale files, and there is this gem in there. I think I got it when I was a member of the IDRS. It&#8217;s good for Oboe and/or Saxophone.]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2012/01/articulation-study-from-apollon-marie-rose-barret/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Garzone on Reeds</title>
		<link>http://www.jazz-sax.com/2011/08/garzone-on-letting-the-reed-vibrate/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=garzone-on-letting-the-reed-vibrate</link>
		<comments>http://www.jazz-sax.com/2011/08/garzone-on-letting-the-reed-vibrate/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 19:13:22 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Garzone]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Reeds]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=3839</guid>
		<description><![CDATA[Tweet He&#8217;s the man&#8230;.And to the teachers who insist on ONE embouchure to rule them all&#8230;&#8230;STFU]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2011/08/garzone-on-letting-the-reed-vibrate/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rico Reeds Videos</title>
		<link>http://www.jazz-sax.com/2010/08/rico-reeds-videos/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=rico-reeds-videos</link>
		<comments>http://www.jazz-sax.com/2010/08/rico-reeds-videos/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 08:17:30 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[potter]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[Weiskopf]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=2362</guid>
		<description><![CDATA[Tweet Rico Reeds has some really great videos of Walt Weiskopf up explaining one exercise from his book &#8220;Around The Horn&#8221; (which I highly recommend!). They also have some great videos from other artists like Chris Potter, Mel Martin, Ronnie Laws, etc. But then, they have videos from this Shannon Kennedy chick which were&#8230;&#8230;..what? I [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2010/08/rico-reeds-videos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Don Menza On Tone</title>
		<link>http://www.jazz-sax.com/2010/05/don-menza-on-tone/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=don-menza-on-tone</link>
		<comments>http://www.jazz-sax.com/2010/05/don-menza-on-tone/#comments</comments>
		<pubDate>Fri, 14 May 2010 07:21:59 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[Don Menza]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[tone]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=1800</guid>
		<description><![CDATA[Tweet Dunno what is up with the dark glasses. Nor the using of the Metal Link (is that a metal link?). Last time I saw Menza he was totally into getting vintage rubber mouthpieces and modding them to his liking&#8230;.]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2010/05/don-menza-on-tone/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Zinn Practice Regimen For Saxophone</title>
		<link>http://www.jazz-sax.com/2008/12/zinn-practice-regimen-for-saxophone-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=zinn-practice-regimen-for-saxophone-2</link>
		<comments>http://www.jazz-sax.com/2008/12/zinn-practice-regimen-for-saxophone-2/#comments</comments>
		<pubDate>Thu, 25 Dec 2008 21:21:28 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Sheet Music]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[practice]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[regimen]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[zinn]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=1339</guid>
		<description><![CDATA[Tweet Ok, I think this is the FINAL version of this. Last updated in 2005, this version took out some stuff I had in there, and put in some stuff I have been practicing lately (triad things). 32 Pages of Saxophone goodness. It is FREE and available here and via Lulu here Plus you can [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2008/12/zinn-practice-regimen-for-saxophone-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bb Fingerings</title>
		<link>http://www.jazz-sax.com/2008/06/b-flats/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=b-flats</link>
		<comments>http://www.jazz-sax.com/2008/06/b-flats/#comments</comments>
		<pubDate>Mon, 02 Jun 2008 00:36:14 +0000</pubDate>
		<dc:creator>mr.magoo</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[B flat]]></category>
		<category><![CDATA[Bb]]></category>
		<category><![CDATA[fingers]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[sax]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[types]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=991</guid>
		<description><![CDATA[Tweet I was just wondering which B flat was better in general im an amature sax player only been playing for like six years used to use side B flat and now cant stop using biz, which one works best for you?]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2008/06/b-flats/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Boots Randolph&#8217;s Rock And Roll Saxophone</title>
		<link>http://www.jazz-sax.com/2007/12/boots-randolphs-rock-and-roll-saxophone/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=boots-randolphs-rock-and-roll-saxophone</link>
		<comments>http://www.jazz-sax.com/2007/12/boots-randolphs-rock-and-roll-saxophone/#comments</comments>
		<pubDate>Mon, 10 Dec 2007 06:24:33 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Boot Randolph]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=922</guid>
		<description><![CDATA[Tweet Boots Randolph&#8217;s Rock and Roll Saxophone &#8211; Techniques and Fundamentals for Today&#8217;s Players by Boots Randolph and Mike Shannon is 63 pages that try to show you how to play rock and roll like Boots. Not that Boots playing could in any way be condensed down to so few pages. The first part of [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/12/boots-randolphs-rock-and-roll-saxophone/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fourth Obession &#8211; Wil Greenstreet</title>
		<link>http://www.jazz-sax.com/2007/12/fourth-obession-wil-greenstreet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fourth-obession-wil-greenstreet</link>
		<comments>http://www.jazz-sax.com/2007/12/fourth-obession-wil-greenstreet/#comments</comments>
		<pubDate>Mon, 03 Dec 2007 07:06:12 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[fourths]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=918</guid>
		<description><![CDATA[Tweet Sometimes, people send me stuff to look at. Wil Greenstreet sent me his book, Fourth Obsession &#8211; inroads to out there. This book, obviously, deals with Fourths, something a lot of books touch on, but never really focus in on. This book does that. Starting out with the basics, being able to play fourths [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jazz Saxophone Etudes By Greg Fishman Vol. 2</title>
		<link>http://www.jazz-sax.com/2007/11/jazz-saxophone-etudes-by-greg-fishman-vol-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jazz-saxophone-etudes-by-greg-fishman-vol-2</link>
		<comments>http://www.jazz-sax.com/2007/11/jazz-saxophone-etudes-by-greg-fishman-vol-2/#comments</comments>
		<pubDate>Tue, 20 Nov 2007 08:50:18 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[CD]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Etudes]]></category>
		<category><![CDATA[Greg Fishman]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=911</guid>
		<description><![CDATA[Tweet Greg Fishman has been at it again. This time, he has come out with yet another book of Jazz Etudes. Again, he has named each Etude after a street in Chicago. I&#8217;ll just take Greg&#8217;s books in lieu of a tourist map if I ever visit Chicago. Really. I believe he&#8217;s covered every major [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/11/jazz-saxophone-etudes-by-greg-fishman-vol-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vade-Mecum of The Oboist</title>
		<link>http://www.jazz-sax.com/2007/09/vade-mecum-of-the-oboist/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vade-mecum-of-the-oboist</link>
		<comments>http://www.jazz-sax.com/2007/09/vade-mecum-of-the-oboist/#comments</comments>
		<pubDate>Mon, 03 Sep 2007 03:57:03 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Oboe]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.jazz-sax.com/?p=849</guid>
		<description><![CDATA[Tweet There are a number of books out there that are for Oboe that have been adapted for Saxophone. Ferling&#8217;s, and Rossari&#8217;s books would be two examples. Another great book to check out is &#8220;Vade-Mecum of The Oboist&#8221; by Albert J. Andraud. The 200 page, over sized book contains 230 selected studies (some from Ferling) [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/09/vade-mecum-of-the-oboist/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tabuteau Lessons/Note Grouping</title>
		<link>http://www.jazz-sax.com/2007/07/tabuteau-lessonsnote-grouping/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tabuteau-lessonsnote-grouping</link>
		<comments>http://www.jazz-sax.com/2007/07/tabuteau-lessonsnote-grouping/#comments</comments>
		<pubDate>Sun, 29 Jul 2007 16:47:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[CD]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Note Grouping]]></category>
		<category><![CDATA[Oboe]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Tabuteau]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Two related items I finished recently. The first is a very interesting CD, Marcel Tabuteau&#8217;s Lessons, which Tabuteau himself explains his phrasing system. Well, it is more than that, it is lessons on music from a great master. It was started in August of 1965, using a tape recorder in Tabuteau&#8217;s apartment, and abruptly [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/07/tabuteau-lessonsnote-grouping/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Neff Music Approach Note Velocity Studies</title>
		<link>http://www.jazz-sax.com/2007/02/neff-music-approach-note-velocity-studies/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=neff-music-approach-note-velocity-studies</link>
		<comments>http://www.jazz-sax.com/2007/02/neff-music-approach-note-velocity-studies/#comments</comments>
		<pubDate>Fri, 23 Feb 2007 20:32:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Every month, I make it a point to buy new music. New music including books in addition to recorded media. I have quiet a backlog of things to review. So, first up are Approach Note Velocity Studies. I&#8217;m not sure when I found these on the net, but Steve Neff&#8217;s Approach Note Velocity Studies [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2007/02/neff-music-approach-note-velocity-studies/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Jazz Saxophone Duets by Greg Fishman</title>
		<link>http://www.jazz-sax.com/2006/11/jazz-saxophone-duets-by-greg-fishman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jazz-saxophone-duets-by-greg-fishman</link>
		<comments>http://www.jazz-sax.com/2006/11/jazz-saxophone-duets-by-greg-fishman/#comments</comments>
		<pubDate>Wed, 08 Nov 2006 22:45:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Duets]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Greg Fishman]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet I had rave reviews of Greg Fishman&#8217;s &#8220;Jazz Saxophone Etudes&#8221; book. I really like the tunes in that book. They are melodic, sound great, and are idiomatic of good jazz solos. The concept of including two CDs (one for Alto, and one for Tenor) was, well, fairly obvious (yet no one else does this, [...]]]></description>
		<wfw:commentRss>http://www.jazz-sax.com/2006/11/jazz-saxophone-duets-by-greg-fishman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beyond The Horn &#8211; Backgrounds</title>
		<link>http://www.jazz-sax.com/2006/04/beyond-the-horn-backgrounds/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beyond-the-horn-backgrounds</link>
		<comments>http://www.jazz-sax.com/2006/04/beyond-the-horn-backgrounds/#comments</comments>
		<pubDate>Mon, 17 Apr 2006 23:44:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Sheet Music]]></category>
		<category><![CDATA[backgrounds]]></category>
		<category><![CDATA[Band-in-a-Box]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[Weiskopf]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Yes, you knew it was coming. Backgrounds to practice Walt Weiskopf&#8217;s great new book, Beyond The Horn. A lot of these are based on &#8220;standard&#8221; tunes. A couple are original chord changes. All of them are very challenging to play with the Etudes out of the book. It&#8217;s different, it&#8217;s fun, it will bust [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beyond The Horn</title>
		<link>http://www.jazz-sax.com/2006/04/beyond-the-horn/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beyond-the-horn</link>
		<comments>http://www.jazz-sax.com/2006/04/beyond-the-horn/#comments</comments>
		<pubDate>Mon, 10 Apr 2006 00:42:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Practicing]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[Weiskopf]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Tweet Walt Weiskopf and Ed Rosenberg, have released a great new book, Beyond The Horn. It is more of a follow up to his great Around The Horn book. The 246 pages are filled with Octave Displaced Triads, and a bevy of Octave displaced minor, melodic minor, harmonic minor and a bunch of other modes. [...]]]></description>
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		<slash:comments>1</slash:comments>
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