I saw this on the Klarinet list
“I just received a note from a repairman friend which said that Ralph Morgan passed away on August 23rd. Ralph worked at Selmer for many decades and was brilliant at mouthpiece design and instrument acoustics. He retired many years ago and concentrated on just mouthpieces.
As a maker, I just wish folks like him left behind research notes for the rest of us to learn from!
Dr. David McClune
University Professor of Music
Director of Bands/Woodwinds
1050 Union University Drive
Jackson, TN 38305
Welcome to the new Site. Most all of the stories and comments transfered over. The ones that have not should be migrated over in the next week or two.
I think there might be some problems with the Login thing. Can someone check it out and post about it?
Fixed the Download problem I think……maybe……
Also fixed a cache problem. I think it works better now…..now if I could only get the old slash site up to continue to move stories and files over…….
Update 8/29/07, well, there still are about 500 some stories that need to be sifted through. It is long, and boring, and long and boring……but it is going. Hopefully some of the other patterns and pdfs will be up soon.
Update 8/31/07. Still have something like 500 stories/articles to sift through. Erg…..Hopefully sped things up here with some caching and some MySQL tuning.
Saxcessful writes “I have been playing a Berg 100/0 on my tenor with various reeds, depending on the mood. Recently I have been offered (on the net) a Beechler Bellite 8 which is about the same lay but I have no idea about what sort of sound they produce. I am familiar with a Lawton 6 (a friends) and also play a modified Otto 7. I like all the sounds that I can get out of these mouthpieces but “the” sound alludes me. I would appreciate comments about the Beechler as they are not too common here in NZ and they are rather expensive. Thanks….”
Yes. “the sound”. We all know what you mean. You can’t describe it, but you know what it is. I haven’t used a Beechler since………..um……..Clinton was in the White House. Beechlers, as I remember them, were really punchy mouthpieces. I would describe them as similar to a metal Berg Larsen, but without the body (or tone). I would really suggest trying one before buying it, otherwise you might be stuck with something you don’t use. I mean, I think we all have that mouthpiece box (or boxes) of various pieces you liked for a week or two, then discarded.
In the July 2007 issue of Mix Magazine, there was a little article about the recording session for Michael’s last album. Some more insight into this album, Michael, and how they recorded it. Two microphones on Michael (U67 (vintage mic) and a Coles 4038 (ribbon mic))
When the author of the Finale Productivity package died last year, it was a shock. Bill was a great guy to email back and forth with, and I’m sorry I didn’t save every email we exchanged. He was very insightful about how things should look, and how to be clear on with music notation. Bill developed templates, fonts, and processes for Finale and sold them to people who wanted to make their music “engraver quality”. One of the last projects he completed was a Articulations font which addressed the LACK of articulations available in a traditional (ie: Finale’s Maestro) font. Bill’s articulations font looks great with Maestro, and has a complete set of articulations that one would need for any modern music notation (scoops, bends, falls). It looks great.
Then Bill left us, and it seemed his invaluable package of fonts, templates, insights, and processes would be lost.
Luckily, the rights to sell it were bought by NPC Imaging and is available here. I think Bill would be very happy to see that his efforts are living on. And I hope there will be continued work on the package in the future.