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Record Companies Finally Win One

October 5, 2007 in News

After all the lawsuits they have started, they finally won one.

In a major win for record companies seeking to establish precedent for prosecuting those who trade copyrighted material on the Internet, a federal jury awarded six firms $222,000 in damages from a Minnesota woman who shared music online. Jammie Thomas, 30, was ordered to pay $9,250 for each of 24 songs that were part of the case. The complaint alleged that she had shared 1,702 copyright-violating songs online. The Associated Press quotes Richard Gabriel, lead attorney for the music companies: “This does send a message, I hope, that downloading and distributing our recordings is not OK.”

What does this mean? Good question…….

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Don Menza Retires

February 22, 2004 in Articles

From this article in the Las Vegas Sun. Don has a number of very valid points. He should know, he’s been in the business 53 years. I think he raises a number of valid points, that the record business is more into looks and flash than actual music. I mean, look at all the “pop” artists out there.

Don, why not start you’re own label? Or team up with like someone who revolted like you?

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CD Prices/Exec Take/Selling an iTunes Store Song?

September 4, 2003 in Articles

SFGate reports that although the recent crackdown and lawsuits have caused a 22% drop in downloading, the drop in CD sales actually accelerated during the same period. The BBC has an article with an EMI exec who gives the standard industry view on issues. But CNN Money has an article about Universal Music Group’s plans to slash their CD prices to $12.98 SRP, in an effort to combat piracy and bring consumers back into stores.

I think the CD prices should be $9.99. And, I think the industry needs to get behind such things as Apple Music Store and offer a REAL CD at a discounted price if people buy a certain number of tracks off the online site. So, say I buy 4 out of 9 tracks. I should be able to buy the REAL CD at a discounted price, say, $7 or so. I think the industry could really entice people to legally own a real album. A lot of people are more than happy just owning the Mp3 at whatever quality they happened to find it at.

One other interesting item. A guy is trying to sell his iTunes store purchase. Raises some interesting questions and issues……

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Apple Music Service

March 7, 2003 in News

There have been a number of rumors that Apple is preparing a online music service. Four of the five major record companies have committed their music to the Apple service. It could be launched next month.

A new version of iTunes will utilize the AAC audio format (MPEG4), which allows for Digital Rights Management. Using the MP4 format allows songs to be protected by electronic locks which will prevent them from being played on more than one computer. Apple, however, wants to enable buyers to burn songs onto CDs, which would be one way to bypass the Digital Rights Management issues.

The most interesting rumor is the pricing, which is set at $0.99 a song. That right there sounds good to me!

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How to Market Jazz?

August 1, 2002 in Articles

zibalatz writes “I recently saw this ad on some trashy “world’s best commercials”-style tv show and I thought it was fantastic. The production company has made a number of similarly clever and memorable ads but this one really caught my attention.”

Well, it could be the most clever ad ever, but if it doesn’t get air time it ain’t going to help. I think the best way to market is to do it on the net. Get a website. Get some clips made in MP3 format. Put them on MP3.Com or some other place. Send out demo CDs to local stations. That is how you market it. Posh TV Ads are nice, but not effective.

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Mark Turner

June 16, 2002 in Articles

The NY Times has an article about Mark Turner and the state of the Jazz Music Industry.

Mark’s a great player who has a different sound and style. A refreshing change to the endless Coltrane/Brecker clones out there. It’s too bad Warner Brothers dropped him.

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Music/Law/Copyright….The whole Shebang

April 18, 2002 in Articles

This website comprises hundreds of documents (texts, scores, audio and video files) associated with music copyright infringement cases in the United States from 1845 forward. All of these documents have been collected, edited, digitized, organized, analyzed, and commented upon by staff at Columbia Law Library and the Columbia Center for New Media Teaching and Learning.

Under the discussion section, there a write-up entitled “Notation Software and Determination of Melodic Similarity”. For all those music majors out there who are thinking about law school, this is definitely an alternative career waiting for you where you don’t have to throw away all the music.

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Jazz Music Industry

March 28, 2002 in Articles

Tenor Madness writes “Hey, just thought I’d say how great this site is!! I love it..theres so much good stuff on here. I like the solo transcriptions..they are hard to find. I got a question for everyone. How do you think Jazz has shaped music as it is today and how has it affected the economy? I personally think it has made a huge impact..what is everyones thoughts/reasoning?


~Tenor Madness~”

Not sure what you mean. Jazz is on the low end of the music industry right now. There is not a lot of profit to be made selling jazz compared to N-Sync. I think that the internet and the ability for artists to push their music via it has helped out the last few years.

I think one problem is that there are so many people out there that are good, how do you figure out who would appeal to a mass market? I mean, with a group like N-Sync, the singing might not be the best in the world. But you can market it. You can get thousands of kids to come in and buy CDs, go to concerts, etc. But say try that with Michael Brecker….and you just can get the return. It’s sad, but true. I remember playing with Brecker at CSUH in 1998(?) and someone asked him about touring. He said he didn’t really make any money touring.

As for shaping music today….I dunno. Depends. You hear more jazz type horns and stuff in music today. It’s way better than the Rap crap we had going. I think artists like Nelly Furtado, and Alicia Keyes have some good jazz type things happening in their music. But, on the flip side, you have groups like Linkin Park which seem to be a Hard Metal/Rap mixture. I think music from all styles blends into other styles. What I’d like to see is some pop group try to explore bitonal music. Or perhaps 12 tone music. At least most of the pop groups I listen to seem to have a richer harmonic palette than they used to.

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DownSlam

October 29, 2001 in Articles

Anonymous Coward writes “I read about DownSlam here some months ago. Just wanted to let you know they are now accepting music uploads for their new disribution model. If this catches on it could really put the screws to the recording industry. After all, they have been screwing us for a long time now and well, fair is fair….”

There are a couple of these, such as Fairtunes. Not really a “new” distribution model. Actually, makes me kind of wonder why one needs a label anyways. If you are going to distribute on the net, just get a page up, and something like PayPal and off you go.

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RIAA Wants Right To Hack

October 15, 2001 in Articles

According to Wired, the recording industry wants the right to hack into your computer and delete your stolen MP3s. Lobbyists for the Recording Industry Association of America (RIAA) tried to glue this hacking-authorization amendment onto a mammoth anti-terrorism bill that Congress approved last week. A copy of an RIAA-drafted amendment obtained by Wired News would immunize all copyright holders — including the movie and e-book industry — for any data losses caused by their hacking efforts or other computer intrusions ‘that are reasonably intended to impede or prevent’ electronic piracy.

You know, the RIAA is beginning to really not make any sense……..

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RIAA to sue KaZaZ, Morpheus, and Grokster

October 3, 2001 in Articles

Dotcomscoop.com has an interesting story that says the RIAA is going to try to sue KaZaZ, Morpheus and Grokster. Internal memos from within the RIAA outline the record label’s findings and strategy going ahead.

Now, why can’t the RIAA stop wasting it’s money and set up a cheap subscription service? Going after two foreign companies in which, to me, the RIAA seems not to have any chance, seems stupid. I once again call for the RIAA and the music industry to give the people what they want. Cheap, bountiful, high quality MP3s. Hell, I’d pay $15 a month for access…..

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Future of Digital Music in Doubt

August 31, 2001 in Articles

NPR has an excellent article about the growing trend of ‘real’ radio stations abandoning streaming media due to concerns about advertising, royalties, and (you guessed it) the DMCA. Basically, stations are finding that web streaming isn’t increasing their listener base, but is increasing their costs.

Meanwhile, there’s a study circulating saying that people don’t and won’t purchase heavily restricted music online at higher prices for a less useful item. This is apparently a revelation to the music industry.

Slashdot.org has this article as well.

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RIAA To Target CD-R

August 23, 2001 in Articles

I lifted this from Slashdot.

According to this 8/20 RIAA press release, the RIAA is concerned about CD burners. Hilary Rosen, president and CEO of the RIAA, said: “Many in the music community are concerned about the continued use of CD-Rs . . . and we believe this issue deserves further analysis. A preliminary survey of tech savvy online music enthusiasts recently conducted for the RIAA showed that nearly one out of two consumers surveyed downloaded in the past month and nearly 70 percent burned the music they downloaded. All of this activity continues to show the passion of the consumer for music and the need for both legal protection and legitimate alternatives.”

You know, if Music CDs weren’t so obviously overpriced, and since you can get blank CDRs for less than 50 cents a piece, we can do the math. The RIAA is ripping us a new bunghole…

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Two Articles on the state of MIDI

August 16, 2001 in Articles

Digital Prosound has some reprints of two Mix Magazine articles about the state of MIDI.

the first article discusses with the history of MIDI and the problems with USB and MIDI.
The second article discusses MIDI over IEEE-1394 (Commonly known as FireWire).

Personally, I’m all in favor of FireWire taking over as it’s faster, and the powering issues associated with USB devices is a non-issue (IE: having too many devices sucking power out of your port or hub, causing things not to work). And, of course, I’d love to get one of these.

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RIAA Going After ISPs

July 25, 2001 in Articles

You know, news like this is beginning to tick me off. Why can’t the RIAA, instead of engaging in legal battles, come up with a subscription service or on-demand service or SOMETHING. They seem to just NOT want to have anything to do with online technologies. I wonder what it will be like in 5 years…..

Stop SOPA