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Keyless Saxophones

September 16, 2007 in Articles

When I was in college, I heard the story of Siguard Rascher having a keyless saxophone. Basically, a conical tube in the shape of a sax. Mr. Rascher was reported to be able to play anything on it.

Well, looks like you can actually get one and try to be a virtuoso like Siguard Rascher. Hollywood Winds sells an alto and a tenor version for $495 and $695 respectively.

I wonder if it would be cheaper to get an old C-Melody off of Ebay and just plug the holes….

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Apple Logic Studio

September 12, 2007 in Articles

Today, Apple announced it’s Logic Studio. Not only did they pack a ton of features into an already feature rich product, they dropped the price to $499. Amazing. There are new features such as mainstage, five Apple Jam Packs, more software instruments, and thousands of other sounds. Plus, you get Soundtrack 2, which is an excellent sound editor (at least that is what I hear from my Final Cut nerd friends).

I think I might have found where that $100 Apple Store credit is going now….Wonder what the next version of Digital Performer is going to do to match this….

UPDATE: 09/12/07 by E: A couple of other sites have some first impressions about Logic Studio.

Will post more links as I find them.

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Yamaha’s Tenori

September 9, 2007 in Articles, Videos

Yamaha has a new thing out, called the Tenori

Media artist Toshio Iwai and Yamaha have collaborated to design a new digital musical instrument for the 21st century, TENORI-ON. A 16×16 matrix of LED switches allows everyone to play music intuitively, creating a “visible music” interface.

Check out a video of it

Create Digital Music also has an article about it.

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Valgon Rings

July 15, 2005 in Articles

The latest issue of Flute Talk had an Ad on page 37 for Valgon Rings. No no, this is not a strange Star Trek device, nor is it related to the Vogon’s, whom destroyed Earth in Douglas Adam’s Hitchhiker’s Guide to the Galaxy. These rings seem to be a serious thing. To quote the ad:

"The Valgon Rings control and stabilize the oscillating air column on the outside of your instrument, resulting in significant improvement in your instruments response."

The website has a mere two endorsements, one from a Doctor at the University of Florida (flute), and some saxophonist named Colleen Allen who, they say, plays with Molly Johnson (?).

Anyhow, the saxophone version seems to be two “rings”, one that goes around the bell, and one that goes around the neck. Not sure the physics of this. Could it be that these rings are converting a saxophone’s sound to be more direct, and hence a “better” sound?

I think if you wanted to do it right, someone should invent some sort of scoup that runs the length of the saxophone. Something that would take the reflected soundwaves from the pads, and focus them forward. But hey, the easiest solution is to put on a reed and/or a mouthpiece that has more bite to it ;-)

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A Great Use For Giant Steps

March 22, 2005 in Articles, Videos

This has been floating around on a couple of email lists I am on.

Giant Steps, a great little flash film by Michael Levy. Excellent stuff.

And then there is this little gem

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Trane’s Electronic Saxophone…

May 2, 2004 in Articles

Saxy Beast writes “I recently read somewhere that later on in his life, John Coltrane played on an early EWI type of sax. He used it to play two notes at once, kind of like multiphonics. I was just wondering if anyone knew anymore about this instrument, i.e. who made it and if he ever recorded with it.”

Hmm, I don’t know a thing about this. And looking on the net doesn’t seem to turn up anything. Perhaps he dabbled on a prototype Lyricon? Though ‘Trane died in 1967, so, I don’t think that would be it (Lyricons were a 70s thing).

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Hamster Powered MIDI

February 19, 2004 in Articles

This is from a Slashdot article:

"I found this wonderful page on the net. The project was initially fueled by the desire to explore the MIDI protocol. It was decided that this would be accomplished by building a MIDI device, and an intelligent hamster controlled MIDI sequencer was designed. Each voice was controlled by two hamsters: one that was responsible for adjusting the rhythmic qualities of the melody and another that modified the note sequence. With all of these elements in combination, an output was produced with very musical qualities. This is like Fritz & His Performing Hamsters with a geek twist. Video and music is provided on the webpage."

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Man Sells Kidney To Get Saxophone

January 1, 2004 in Articles

This is a true story.

“A musician in Moldova has gone to an extraordinary length to get his career started – by selling his kidney to afford a saxophone.


Sergiu, 23 – who as a professional musician has toured parts of Europe – sold the kidney to a Turkish hospital for $10,000 (£5,800).

Insane!

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Mouthpiece Prices

September 28, 2003 in Articles

doc jaxx writes “What is the story with the prices on vintage mouthpieces? I am seeing prices for handmade Guardalas over 1000$. Are there people out there buying mouthpieces for this much? ‘Fess up, people’ because if these are the real prices you are paying then I will not feel like I am the only one getting ripped off.”

You can’t really put a price on something that you like. That being said, I will admit that I spent a lot of money on a vintage Meyer Brothers Alto Mouthpiece…..

How much? $500 if I remember correctly. Then I had the late Jon Van Wie reface and open it from a 4 to a 6 opening.

Why? Honestly, for a long time I thought the whole “vintage mouthpiece” thing was a bunch of crap. However, one day in the store where I work, the owner wanted be to look at an old Conn Tenor he had bought. It was nice, but what caught my eye was a rubber slant signature Otto Link mouthpiece. Whoa, one of those fabled mouthpieces. I immediately tried it out against a new Otto Link mouthpiece I had. Night and day. The old one resonated better, had a richer and more complex tone. It was heaven. I think I ended up swapping the owner $50 and my new Otto Link to get the old one. Do I use it now? No, I’m using a Berg 110/2 rubber, but I do have 2 (yes 2) Slant Ligature 5 opening Otto Links if I choose to use them.

But, this whole thing made me think about the Meyer Brothers thing on Alto. Was it really BS? I seriously had some facts about the Otto Link mouthpieces, so, I assumed that it would be the same for the Meyers. Perhaps even more so.

So I started perusing Ebay for Meyer Brothers Alto Mouthpieces. It’s sometimes hard to tell if its a real one or not. Well, as luck would have it, I ended up with some extra money (a gig that came up and paid a lot), and a Meyer Brothers NY came up on Ebay. I won it. When it arrived it was not playable. To small an opening. So, I immediately sent it to Jon Van Wie to open up and reface. It came back, and it was heaven. It resonates and sounds different than the current production Meyers (from about 4 years ago, I have not tried the G series or the limited edition NY ones that they made recently).

Would I do it again? Would I spend the money on it? Absolutely. It’s my vocation and advocation. I like the sound I get from it, and plan on playing it for many many years (it’s been about 4 right now).

Now, the Guardalas. I have one that is supposed to be a Brecker model. Do I like it? Not really. It’s really bright and the opening is huge. When we had Brecker as a guest artist in college, one of the dweeby underclassmen who I let use the Guardala showed it to Brecker and he said it didn’t look like his at all. So, I don’t know about Guardala lines. I just know the vintage Meyer Brothers Alto and Rubber Slant Signature Links for Tenor. I have yet to try one of the “sought after” vintage metal Links on Tenor….

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What Will They Think Of Next?

April 3, 2003 in Articles

Ok, the saxophone has been around for a while now. There are all kinds of mouthpieces made of various materials that you can get. There are necks that you can have made of different metals, but this is the strangest add-on yet. A wooden neck.

Saxophonist Tim Price seems to be using one now. Anyone know more about these strange beasts?

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Jumbo Java Sound Required

March 14, 2003 in Articles

I found this in alt.music.saxophone. It’s funny! It is in reference to this guy ordering overseas a mouthpiece from the Woodwind/Brasswind and not getting it in time.


sopranoplayer@hotmail.com wrote in message
news:4ccd93fc.0303122123.513f1ae8@posting.google.com...


I played two gigs today that would require the sound of the Jumbo Java, but I still haven't receive the mouthpiece so I was stuck with a Meyer, which obviously did not work well. This is the worst experience I've ever had. I know I'll be taking my business elsewhere.

from fundoc@nycap.rr.com is the reply:


And well you should. I can only imagine the horrified responses of the listeners.


Listener One: "What the hell's that!?"

Listener Two: "I dunno, but it sounds like shit."

Listener One: "What the hell IS that!?"

Listener Two: "You know what? I think that guy's playing a Meyer!"

Listener One: "What? A Meyer? Doesn't he know this gig requires the sound of a Jumbo Java factory blank?"

Listener Two: "Evidently not. I cannot tell you how often the instrumentalist's erroneous mouthpiece choice has destroyed my aesthetic listening experience."

Listen One: "No kidding, I mean a Meyer. What the hell is he thinking?"

Listener Two: "This kind of thing really chafes my ass."

Listener One: "Indeed. This is the worst experience I've ever had."

And so on, until they stomped out in discust.

Priceless. Absolutely priceless. Thanks guys!

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Apple Music Service

March 7, 2003 in News

There have been a number of rumors that Apple is preparing a online music service. Four of the five major record companies have committed their music to the Apple service. It could be launched next month.

A new version of iTunes will utilize the AAC audio format (MPEG4), which allows for Digital Rights Management. Using the MP4 format allows songs to be protected by electronic locks which will prevent them from being played on more than one computer. Apple, however, wants to enable buyers to burn songs onto CDs, which would be one way to bypass the Digital Rights Management issues.

The most interesting rumor is the pricing, which is set at $0.99 a song. That right there sounds good to me!

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Phil Woods/Freehand

February 13, 2003 in Articles

I somehow get a Yamaha Magazine called “Backstage Pass”. It’s usually not a good read, however the Spring 2003 issue has some interesting stuff in it. There is a good article about Mark Rivera, Frankie Perez, Jeff Coffin, Lennie Niehaus, and the venerable Phil Woods. All these guys are Yamaha artists, and the articles are good reads, especially the Phil Woods article about how he is using a Yamaha Custom that they made for him.

The other thing of interest came in my mail the other day (like paper mail….imagine that). Freehand Systems is offering their MusicPad Pro Plus for $999. What this basically is is a 12.1″ LCD pad that can hold music. It runs Linux, has 2 USB ports, 32 Megs of Flash Memory and is supposedly fault tolerant (whatever that means).

It’s an interesting idea, except for a couple of things. First is the price. About 1/2 that it might be worth buying. Second, increase the memory. 32 Megs of Flash memory is nothing. You need more memory. Third, it really needs to be two pages. One way to do that would be to be able to hook up 2 of these together and when you hit the foot switch, it would move the second page to where the 1st is, and then load the next page where the second was.
It’s an interesting idea, but I don’t think it’s ready for prime time yet.

Update: 02/17 01:11 GMT by E :Rory was brave and actually emailed the man about his horn change. Here is Phil’s reply:

You bet your ass I am going to use it-it is a great horn-I can't play the selmer anymore-Yamaha has blown them out of the water for half the price about time- no, I am not playing it because they are paying me-they pay nothing. They do help with tour support. I have not sold out, contary to internet chat- the very idea that a man of my integrity is for sale is very upsetting - my ass has never been for sale-tell your friends and my enemies.

—-

Comments_Questions:


Phil played at my college in about '98 and let us put 2 cuts from the great concert on the CD. Also thanks for a signed Voyage CD that a friend conned you into sending for my 50th. Are you really going to use that Yamaha in place of the gold plated Mark VI? Later....

Well, there you have it. He simply LIKES the Yamaha better. He’s not getting $$$$$ for saying so, he really thinks that his Yamaha is a better horn than his Mark VI.

I remember reading something about Michael Brecker and switching to Guardala saxophones. He said something to the effect that “Yeah, it plays easier and better, but I’m used to my horn.” Regardless, whatever works for you. If you change horns, then more power to you, if not, more power to you.

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Useful Things Out Of Other Things

December 30, 2002 in Articles

I recently have been using Altoid boxes for storing clarinet, soprano, and alto saxophone reeds. I started doing this case my gig bag was littered with loose reeds. The boxes are great, hold about 10 reeds, and prevent them from getting mashed.

Other people use spice jars to hold reeds in water or vodka. What other common items are being put to use in your music gig bag, or being put to a some sort of musical use?

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The Kenny G Issue Continues

October 8, 2002 in Articles

Richard Thompson has weighed in on the debate.

I really can’t stand the ads for Kenny’s “new” album, that “Paradise” album. I so want to take a pair of shears and cut that hair…..

Stop SOPA