Looks like things have settled down after the transition from Slash to WordPress. First, on the right you’ll see the Be Active header. Here you can write articles, questions, interesting things you saw on the net or heard about. Second, there are still about 300+ stories that have not been migrated from Slash to WordPress. It probably will be a couple of weeks until everything appears again.
Author: ericdano
Polymath, musician, awesome.
Yamaha’s Tenori
Yamaha has a new thing out, called the Tenori
Media artist Toshio Iwai and Yamaha have collaborated to design a new digital musical instrument for the 21st century, TENORI-ON. A 16×16 matrix of LED switches allows everyone to play music intuitively, creating a “visible music” interface.
Check out a video of it
Create Digital Music also has an article about it.
The Sordid Tale Of Guardala
It is sad that one of the great makers of mouthpieces and horns has messed up everything. From a Newsday Article:
“David Guardala is sort of the Dr. Jekyll and Mr. Hyde of the saxophone world, according to federal prosecutors and some of those he is accused of swindling.
As of yesterday, Guardala was in a Frankfurt, Germany, jail fighting extradition to Long Island to face 12 counts of fraud. The charges were in an indictment unsealed yesterday in U.S. District Court in Central Islip.”
There is a little history in the article as well. He was the maker of Mouthpieces in the 80s and part of the 90s. His line of Saxophones was great (I used to own an Alto, serial number 766). Dave, what happened?
Pavarotti Loses Battle With Cancer
71 year old Tenor Luciano Pavarotti lost his battle with cancer today. Of all the opera singers, he was my favorite. In the three Tenors concerts, he out shined the other two. Yahoo News has a link as well.
SmartMusic 10.1
One of my favorite whipping boys is SmartMusic. This program could be so great, and yet, MakeMusic seems not to want to put that little extra polish on it. Case in point, the latest “update” to SmartMusic is a large download, some 95 Megabytes. Took some time to download. Here is what is listed as being “new”
- Compatibility with SmartMusic accompaniments created in Finale® 2008.
- Support for Windows Vista.
- Improved Clarinet assessment.
I emailed MakeMusic’s tech support about the first thing a while ago, when Finale 2008 came out. Never heard back. Figures. Well, at least they didn’t wait nearly a year to update SmartMusic to read the SmartMusic files generated from the latest version of Finale (last time, it was August 2006 when Finale 2007 came out, and not until April 2007 when SmartMusic could read the SmartMusic files generated by Finale 2007).
Ok, new stuff.
Vade-Mecum of The Oboist
There are a number of books out there that are for Oboe that have been adapted for Saxophone. Ferling’s, and Rossari’s books would be two examples. Another great book to check out is “Vade-Mecum of The Oboist” by Albert J. Andraud. The 200 page, over sized book contains 230 selected studies (some from Ferling) and Orchestral excerpts to hone your skills. Though it is for the Oboe, it works great on saxophone. This book does not pull any punches. It starts hard and keeps it there.
For those looking for some technique etudes, this book will not disappoint. 9/10 (1 point deducted for the oversize of the book which I don’t particularly care for).
Roland KC 550
I recently bought a Roland KC 550. It is a keyboard amp, but you can use it for many other things. I bought it for some gigs this summer. It has an XLR microphone input, plus 3 additional inputs. Easily enough to share with a keyboard player, your EWI and your Sax mic. We touched on the subject of amplification way back (not sure if I agree with my opinions from then, oh well).
Sound. It has a nice, smooth sound, and a real nice low end. Two of these together would make a nice little PA system. One makes for a killer amp for those gigs where no one wants to setup and run a PA system. The KC550 has tons of output. I don’t think I ever got past about 4 on it. It never cut out or distorted on any gigs.
Size. Well,
Making Reeds
Ok, are you sitting. Yes? Ok. I play oboe.
Take a deep breath
It’s not as bad as everyone says. In fact, it is a beautiful instrument, and great classical works composed for it. The only issue I have with playing Oboe is reeds.
Right now, I’m using reeds made by the Alan Double Reed company. I really like the Medium Hard Concert reeds they make. But, to truly know the instrument, I decided this summer to learn how to make an oboe reed. I purchased a reed making kit that included some gouged and shaped cane. I also was armed with a copy of “The Art Of Oboe Playing” which has a great guide to reed making guide.
Long story short, I still don’t know how to make an oboe reed. I have yet to make it past the binding the reed to the staple part. Erg. If/When I get past that, then we come into the whole scraping/shaping thing. Maybe I need a good video of the whole process….
Single reed players have it good, but, are there any people out there that actually make their own saxophone reeds? I know that I have, in the past, shaved and trimmed some reeds to make them play better. But to construct a playable reed from a blank? Is it worth it?
Articles From The Past
In moving this site to WordPress, and transferring all the old articles, I get to read some of my old posts. I think this one really touched me today, and made me remember what a great guy Jon was.
I traded some emails with him, and he took a vintage Meyer mouthpiece I got off Ebay, and made it great.
Ralph Morgan Dies
I saw this on the Klarinet list
“I just received a note from a repairman friend which said that Ralph Morgan passed away on August 23rd. Ralph worked at Selmer for many decades and was brilliant at mouthpiece design and instrument acoustics. He retired many years ago and concentrated on just mouthpieces.As a maker, I just wish folks like him left behind research notes for the rest of us to learn from!
Dave
Dr. David McClune
University Professor of Music
Director of Bands/Woodwinds
Union University-1862
1050 Union University Drive
Jackson, TN 38305Office-731-661-5294
dmcclune@uu.edu
www.mcclunemouthpiece.com
New Site
Welcome to the new Site. Most all of the stories and comments transfered over. The ones that have not should be migrated over in the next week or two.
I think there might be some problems with the Login thing. Can someone check it out and post about it?
Fixed the Download problem I think……maybe……
Also fixed a cache problem. I think it works better now…..now if I could only get the old slash site up to continue to move stories and files over…….
Update 8/29/07, well, there still are about 500 some stories that need to be sifted through. It is long, and boring, and long and boring……but it is going. Hopefully some of the other patterns and pdfs will be up soon.
Update 8/31/07. Still have something like 500 stories/articles to sift through. Erg…..Hopefully sped things up here with some caching and some MySQL tuning.
Beechler vs Larsen
Saxcessful writes “I have been playing a Berg 100/0 on my tenor with various reeds, depending on the mood. Recently I have been offered (on the net) a Beechler Bellite 8 which is about the same lay but I have no idea about what sort of sound they produce. I am familiar with a Lawton 6 (a friends) and also play a modified Otto 7. I like all the sounds that I can get out of these mouthpieces but “the” sound alludes me. I would appreciate comments about the Beechler as they are not too common here in NZ and they are rather expensive. Thanks….”
Yes. “the sound”. We all know what you mean. You can’t describe it, but you know what it is. I haven’t used a Beechler since………..um……..Clinton was in the White House. Beechlers, as I remember them, were really punchy mouthpieces. I would describe them as similar to a metal Berg Larsen, but without the body (or tone). I would really suggest trying one before buying it, otherwise you might be stuck with something you don’t use. I mean, I think we all have that mouthpiece box (or boxes) of various pieces you liked for a week or two, then discarded.
Michael Brecker Article in Mix Magazine
In the July 2007 issue of Mix Magazine, there was a little article about the recording session for Michael’s last album. Some more insight into this album, Michael, and how they recorded it. Two microphones on Michael (U67 (vintage mic) and a Coles 4038 (ribbon mic))
Finale Productivity
When the author of the Finale Productivity package died last year, it was a shock. Bill was a great guy to email back and forth with, and I’m sorry I didn’t save every email we exchanged. He was very insightful about how things should look, and how to be clear on with music notation. Bill developed templates, fonts, and processes for Finale and sold them to people who wanted to make their music “engraver quality”. One of the last projects he completed was a Articulations font which addressed the LACK of articulations available in a traditional (ie: Finale’s Maestro) font. Bill’s articulations font looks great with Maestro, and has a complete set of articulations that one would need for any modern music notation (scoops, bends, falls). It looks great.
Then Bill left us, and it seemed his invaluable package of fonts, templates, insights, and processes would be lost.
Luckily, the rights to sell it were bought by NPC Imaging and is available here. I think Bill would be very happy to see that his efforts are living on. And I hope there will be continued work on the package in the future.
Saxophone Necks?
hammertime829 writes “I was wondering if anybody could tell me if getting a new neck for a saxophone makes a big difference in the sound or intonation?”
Great question. Anybody? I know a guy who plays a Selmer Mark VI with a Yamaha neck………works for him, so he says.