Orchestra In A Box

Posted on By ericdano No Comments on Orchestra In A Box

Why do you need “real people” when you can get this?

Vision DAW and East West announce an 8-Core Xeon Server-Class Workstation, including the complete Quantum Leap Orchestral collection. This set runs with Play software (64 bits) and the virtual orchestra takes up a 4U rack with 2 Quad-Core Xeon 5440 at 2.83GHz, with 16 Go RAM (8 x 2Go at 667MHz), 1 Teraoctet storage, a dual screen video card and a sound card RME Hammerfall 9652. Possibility to customize RAID configuration.
Dreamin’ Price for the whole symphony orchestra starts at $5,800

You can go really insane in configuring this thing….pimped out, you can spend $14K or so…

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Scientists With Too Much Free Time

Posted on By ericdano 6 Comments on Scientists With Too Much Free Time

I wonder why things like this get funded.

John Coltrane and other famed jazz saxophonists hit piercing high notes that amateurs can’t by expertly changing the shape of their vocal tracts, research now reveals.

No shit Sherlock. It’s called having chops. Practicing for a long time.

Untangling this mystery has proven hard, since it is challenging making precise acoustic measurements inside the mouth during playing.

You think? Really? No way.

“It’s wet in the mouth and the acoustic conditions in there are really variable, and it gets really loud in there during playing,” explained researcher Jer-Ming Chen, an acoustician at the University of New South Wales in Sydney, Australia.

No, you think?
Can I get a grant to do pointless research like this? Jer-Ming Chen, why not focus on IMPORTANT SCIENCE? Oh, maybe creating renewable energy, or creating a cure for cancer? No? Too hard? Is that why you had to spend time on this “science”?

Chen added that for pro saxophonists to reach these notes, “they say they have to hear the sound in their head, to kind of get a mental image of the sound. This suggests they have some muscle memory with this tuning. I think that means anyone can learn how to do this, but you need to put in a lot of practice to get that same muscle memory.”

A scientific study which “proves” the obvious. I give you a nice “golf clap” for this. Now go freaking do something worthwhile with science. Geeze.

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Hancock/Brecker Win At Grammy Awards

Posted on By ericdano No Comments on Hancock/Brecker Win At Grammy Awards

I’m a little confused as to what the difference is between Album of the Year and Record of the Year. But, anyhow from CNN:

Amy Winehouse had a great night at the Grammys, winning five awards, but in a shocking finish, the big award — album of the year — went to Herbie Hancock for “River: The Joni Letters.”

Some other winners are:
Traditional Pop Vocal Album: “Call Me Irresponsible,” Michael Buble
Contemporary Jazz Album: “River: The Joni Letters,” Herbie Hancock.
Jazz Vocal Album: “Avant Gershwin,” Patti Austin.
Jazz Instrumental Solo: “Anagram,” Michael Brecker, soloist.
Jazz Instrumental Album, Individual or Group: “Pilgrimage,” Michael Brecker.
Latin Jazz Album: “Funk Tango,” Paquito D’Rivera Quintet.
Instrumental Composition: “Cerulean Skies,” Maria Schneider, composer (Maria Schneider Orchestra).

Great to see Michael Brecker getting some awards. Finally.

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Auto-Tune Abuse

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I came across this article from Hometracked.com.

Pitch correction software has applications from restoration and mix-rescue to outright distortion of a voice or instrument. I’ll discuss some of the more tasteful uses of these auto-tune tools (whether the original from Antares, or a variant like the free GSnap) below. But first I thought I’d highlight their misuse to illustrate the effects we usually try to avoid.

I think the second example on the page is more of a vocoder thing, ala Gorillaz or Peter Gabriel. However, there is a band I play in where we are trying to do a CD, so, we hired someone to record us live. After 3 months, he had two songs done, and I’d say they are not anything to write home about. He even put in clapping which makes it sound even more fake.
When I record, I try NOT to do much to it. Balance it, sure, but pitch correction…..not really, unless there is something that totally sticks out like a sore thumb. I had a two or three songs that students did before Christmas that I had to do some pitch correction with, but it was not the whole song. Just a couple of notes here and there.

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Talking Jazz

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I came across this website:

New from musician, author, journalist Ben Sidran, Talking Jazz includes an eighty page booklet with essays from writers, critics and musicians, classic photos from Lee Tanner, and 24 compact discs featuring conversations with 60 jazz greats, recorded during a five year period for Sidran’s award winning NPR program “Sidran On Record”.

I’m wondering if anyone heard this collection, or perhaps the original NPR broadcasts. Any good?

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All Plastic Saxophone

Posted on By ericdano 2 Comments on All Plastic Saxophone

There seems to be a resurgence in this idea. Enter the Vibrotosax.

To create more saxophonist in the world is our prime concern. Our designer team need to accomplish 3 objectives….Design a saxophone that everyone can afford, provide a standard fingering configuration and producce a solid saxophone sound. The solution: to replace brass with polymer. By doing so we not only change the material but also the process of saxophone manufacturing which has remained unchanged since 1843.

Besides the strange English (they are a Thailand company and refer to the King of Thailand in their about page), aren’t we experiencing a strange sense of Deja Vu? I mean……haven’t we been there, done that?

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John Coltrane Reference Book

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Here is a review of the forementioned John Coltrane Reference Book.

Porter combines meticulous scholarship with an eye for telling details, the revealing and necessary details about Coltrane’s life and music that constantly open up new perspectives. There is no gratuitous quoting of literary figures irrelevant to Coltrane, or bizarre factoids (the attendance at a New York Museum of Modern Art Chagall show the year Coltrane’s classic quartet recorded at The Village Vanguard (see page 69 in Ratliff).

Though the price is still daunting……$150

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M-Audio Fast Track Ultra

Posted on By ericdano 59 Comments on M-Audio Fast Track Ultra

Fast Track Ultra PictureI got into recording a while ago, my first interface being an original MOTU 828. That thing works great. However, it is not supported in ProTools, and I kind of want to start using ProTools more. Plus, I want to move it to my home studio to hopefully make it easier to record virtual tracks by connecting my PC and Mac together via the ADAT outputs of the 828. Anyhow, M-Audio came out with a diminutive new little recording box that works with ProTools M-Powered, and supposedly has excellent microphone preamps as well. This box would be their new USB2 Fast Track Ultra interface.

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Music Education Alliance

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This was announced today:

Leaders in their respective fields, Garritan, MakeMusic, Steinberg and Yamaha have formed a partnership that will provide integrated solutions to the music education market in the United States.

Announced at Winter NAMM 2008, the Music Education Software and Hardware (MESH) initiative brings together hardware, software, sound content and curriculum to provide compelling and complete turn-key solutions for today’s music educators, who are often faced with an array of products that can be difficult to navigate and integrate. In addition to aggregating four major components of music education technology into a seamless bundle, the alliance will also provide training to teachers based in the U. S., enabling them to fully utilize the power of computer music technology solutions.

Honestly, why? It sounds to me like a way for school teachers to waste money. Again. Spending thousands of dollars or more on some “solution” to make kids learn better. Money like that could be spent on lowering the student/teacher ratio. Very strange bedfellows as well. Leaders in their fields? Marketing speak at it’s finest!

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NAMM Show 2008

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The NAMM show kicked off the other day. So far, I haven’t seen anything that pops out “Whoa, that’s neat” to me. Some interesting things are:

I haven’t seen anything saxophonish yet……..

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Portable Recording Studio with your iPod?

Posted on By ericdano 1 Comment on Portable Recording Studio with your iPod?

Belkin has a product coming out that looks rather good. Belkin Podcast Studio.

Belkin Podcast Studio is an advanced attachment for your iPod to add high quality recording capabilities. Dual XLR and 1/4-inch channels offer a solid range of recording options. A built-in mic and speaker are powered by their own battery, saving your iPod juice better used for listening to your genius later.

Engadget has some more pictures of it.
Seems no one knows if it has phantom power or not (probably not), and it seems to be 16 bit. Though, if you hook up a iPod Nano to it, and have 4+ gigs of free space, that would easily give you 6 hours of 16bit 44.1Khz recording.
Two potential problems. First, battery life. If it is iPod battery powered, who knows how long it will last. Plus, if it has phantom power on the XLR plugs, that would probably kill the iPod’s battery in no time. Recording on my Marantz flash recorder using phantom power pretty much kills 8 AA batteries if I record 3 hours of stuff.
Second problem, Windows formatted iPods. You can’t get, as far as I know, over 2 gigabyte files on a FAT formatted drive. I tried copying Pirates Of The Caribbean on an FAT (PC) formatted iPod that was 2.6 gigabytes in size. The iPod did not like that. Mac formatted ones didn’t complain.
So, it’s an interesting idea, especially since most everyone already has an iPod, but until we see it actually come out (June?), we can only guess.

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Selmer – What Are They Thinking?!?!

Posted on By ericdano 8 Comments on Selmer – What Are They Thinking?!?!

I’m not sure what to think about this. Selmer, I gotta ask, why?

Conn-Selmer, Inc. announces the U.S. availability of the limited edition 2006 issue Selmer (Paris) saxophone avian series. In 2005, the Henri Selmer company of Paris embarked on a five-year adventure honoring each of the continents by depicting a native bird in highly detailed hand crafted engraving on its new Reference Series saxophones. Last year’s edition featured the hummingbird of the North American continent. For 2006, Selmer (Paris) has selected the kookaburra bird from the Australian continent. Selmer Paris “bird” models are based on the popular Reference 54 Series saxophones, capturing the essence of the famous Mark VI instruments made in the 1950s and 1960s. Selmer Paris will produce 330 of the standard edition kookaburra alto saxophones for the United States and Canada. The standard kookaburra will feature deluxe hand engraving on the bell, along with a unique case.

Oh, and they have a Flamingo one as well. Personally, I’m holding out for the Lisa Simpson limited edition Selmer Reference series sax for 2008. And the Peter Griffin limited edition Selmer Reference sax for 2009. Oh, and the Bevis and Butthead series in 2010. Why not just offer to engrave a reference series with whatever image you want for an extra $500 or so?

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