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What Happens When a CD Factory Closes

January 20, 2011 in Articles

As we move more and more to everything being digital and available for download or to be streamed to you, some industries suffer. CNet.com has an article about Sony closing it’s Pitman New Jersey plant that makes CDs.

Kind of interesting that Sony used to have THREE plants in the USA that pressed CDs, one of them closed in 2003, and now the Pitman one is closing. I personally only get physical CDs when I go to Rasputins (used), or get something used off of Amazon.com. Though there has been a resurgence of “low-fi” and “audiophile” music, both of which seem to favor vinyl rather than CD. I do like the trend of iTunes and others upping the bit-rate and losing the DRM on the music….and keeping the price at $0.99.

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Mixing a Big Band CD – Part 1

February 2, 2010 in Articles

Back in August of 2007 and January of 2008, a Big Band that I play in recorded two live performances for a “Demo CD”. Well, in the 2 some years since we made the two recordings, the project has become a full-blown album that is currently playing on Jazz Radio stations and available on the iTunes store. This is the multipart story of how I mixed 8 of the 17 songs on the CD.

The original idea was that we wanted more gigs, and that a lot of people wanted to hear the band before booking it, so we needed a “Demo CD”. At the time we had live recordings that I was making using my Rode NT 4, but a lot of them suffered from crowd noise, wind noise, etc. We wanted something a little bit better. So, we hired someone to do a live recording of the band. Each person individually mic’d, etc, etc. The first concert was in August of 2007, part of a Jazz thing the area puts on (though I don’t think they did it this year…..darn economy). It was held at the Blackhawk Auto Museum.

If you have been to the museum, or look at the pictures…..it is a recording person’s nightmare. Marble floors, surfaces where things bounce off of (cars, pillars, people), plus crowd noise. The crowd was there for a night of socializing and stuff, and as the evening went on, the noise became louder and louder (more on that in later). Anyhow, we had the concert, I made a live recording using my gear, and listened to it. Lots of noise, people talking, eating, dropping glasses, etc. Lots of reverb from the room (more like a Batcave to me).

The mix engineer pretty much decided that the session wasn’t going to yield a lot of material. I think he looked at 3 tracks or so. The project pretty much sat in limbo until the next concert where the scene was totally different. An actual performing arts center. A quiet audience. Acoustic grand piano (the Blackhawk gig the piano player used a keyboard). Different lead alto. Different microphones. Pretty much totally the opposite of the first recording session.

In the interval between the two concerts, I won a contest. Yeah. It DOES happen to people. So, suddenly I had stuff that was like…..pro level. Stuff I didn’t now how to use (I was a Digital Performer person since…..forever). And in January of 2008, my trusty old PowerMac Quicksilver 2002 (or my hackintosh, since I upgraded it to dual processor, etc etc) died and I replaced it with a 2008 MacPro Dual Quad-Core. The stars were aligning. In I believe March of 2008 I got to go to a mixing session. I had mentioned to the engineer that I had recently come into a ProTools setup (M-Powered), and if I could maybe get the tracks to the first concert to mess around with to get my feet wet in ProTools and whatnot. He agreed, and during that session in March, I brought a portable drive with me, and he loaded up a blank session (with like 3 edits he did) that was the Blackhawk concert. Something like 18 tracks totaling over 20 gigs of data……

Part two (what I got…..what a mess!) Coming soon.

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Jazz Side Of The Moon

October 13, 2008 in Reviews

Here are the ingredients of a great album and recording:
1. Great songs….Pink Floyd’s Dark Side Of The Moon…..check
2. Good arrangements of said songs…..check
3. Great players…..check
4. Record everything live, with a single microphone and no digital “wizardary” (not Pro Tools *gasp*)…..check

The sound of the album is great (seriously, no Pro Tools). Tunes are great. Just……..great! When is a “Jazz Side Of The Wall” coming out? I think a jazzed version of Comfortably Numb would be rather cool.

moz-screenshot-93

Check out the album Jazz Side Of The Moon by Sam Yahel, Mike Moreno, Ari Hoenig, Seamu Blake on iTunes or CD via Amazon.

9.5/10

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Jazz Saxophone Etudes By Greg Fishman Vol. 2

November 20, 2007 in Reviews

Greg Fishman has been at it again. This time, he has come out with yet another book of Jazz Etudes. Again, he has named each Etude after a street in Chicago. I’ll just take Greg’s books in lieu of a tourist map if I ever visit Chicago. Really. I believe he’s covered every major street in the town, or at least the ones worth mentioning.

Back to the latest book. Greg says “I think that the new etudes are even more melodic than they were in the first book.” Eh, well, perhaps. The tunes in the last book were pretty good as well. I think my gripe with the first book carries over into the second book, i.e. still not a lot of explanation about voice leading. Perhaps that will be in a forth coming tourist’s guide to voice leading? How many streets does Chicago have? Are we going to run out if you do a voice leading book and another etude book?

For $19.95, with two CDs (one for Tenor, one for Alto) that have an etude track and a track where you can blow a few choruses, it is a simple choice. Duh! Get the book! 10/10 for the price, and the quality of the tunes.

(P.S. Greg Fishman is moving to Phoenix, Arizona. Why anyone would want to move there is beyond me. It gets so hot it can melt your dashboard. This last summer I think they had weeks of triple digit heat. My mom visited my brother who lives there, and she said it was like being in an oven the whole time she was there. Anyhow, I’d expect to see the next etude book filled with Arizona street names, assuming Fishman runs out of Chicago streets)

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Tabuteau Lessons/Note Grouping

July 29, 2007 in Reviews

Two related items I finished recently. The first is a very interesting CD, Marcel Tabuteau’s Lessons, which Tabuteau himself explains his phrasing system. Well, it is more than that, it is lessons on music from a great master. It was started in August of 1965, using a tape recorder in Tabuteau’s apartment, and abruptly finished in 1966, the last recording made the day before he died (or, as Tabuteau called it, his audition date with St. Peter). It is oboe specific in areas (reeds), but most of it easily applies to saxophone (or any other instrument for that matter). Well worth a listen if you want to gain insight from a master on how to play music.

The second item is Note Grouping by James Morgan Thurmond. This is basically a written down version of what the Tabuteau CD is. Same idea, different author. Keep in mind, this book was originally a thesis paper, and reworked/written to be a book. Parts of it are very “thesis paperish”, but the information contained within is invaluable, especially the insights into how modern music has come about.

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Intermediate Jazz Conception

February 21, 2006 in Reviews

Jim Snidero has added another volume to his Jazz Conception series. Intermediate Jazz Conception features 15 songs based on chord changes to “St. Thomas”, “On Green Dolphin Street”, “Confirmation”, “Well You Needn’t” and others. The Alto version features Jim Snidero (as do all the other Alto versions of his books), the Tenor version features Ted Nash.

For style and sound, all these books are excellent….

You’d be hard pressed to find a better sound on Alto than Jim Snidero’s. On tenor, previous versions of the book have featured Walt Weiskopf and Eric Alexander, who are excellent players. However, I think Ted Nash’s sound is great in this book. I’d say better than the other two (but that is just my opinion).

The book’s tunes. Honestly, the tunes (or etudes) in this volume are lack luster. The first tune, “Splank Street”, has a great sound to it, but the tune never goes anywhere unlike in previous Jazz Conception books (IE: Basie’s Blues). “St. Sonny” is ok, “Confirmed” and “Freedom” are good. But there is nothing that just screams “cool” to me. In the original Jazz Conception book we had a ton of cool tunes like “Passages”, “Bird’s Blues”, or “Groove Blues” to name a few. But this volume, they are playable, but….not memorable.

Rating. It’s a solid edition to the Jazz Conception series. I give it a 8. I love Ted Nash’s playing in this book. But the tunes are not as good as they have been in previous Jazz Conception books. I’d still love to see Jim Snidero tackle a more contemporary play-along. Something that is really lacking out there.

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Best/Worst Of 2005

December 29, 2005 in Articles

I just picked up a copy of Tim Ries “The Rolling Stones Project”. I have to say, this is probably the best CD I’ve bought in 2005. I can’t think of another CD that I bought in 2005 that was better. Seriously, I think the industry needs to stop doing American Idol and other cheese things, and get back to producing good music.

On the Worst side, the RIAA lawsuits. Here is a great clip of a CNN interview with a person being sued and the RIAA head. Wow, talking about blinking. And here is another guy challenging the suits. I think if an album is good, and reasonably priced, people will buy it (HINT: Around $10). Also, a potential problem for the Recording Industry in the form of Spitzer. What? Price collusion? The RIAA? Never…..not in a hundred years…..

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Jazz Saxophone Etudes By Greg Fishman

November 4, 2005 in Reviews

Greg Fishman has released a great new book titled Jazz Saxophone Etudes. What sets this book apart from others is the addition of two CDs, one for Alto and one for Tenor. You use the same etude for both instruments. So, you don’t have to deal with bad transposition jobs that you find in say, Bob Minzter’s books. Plus, the CDs feature extended rhythmn section only parts that allow you to stretch out and play on the tunes.

The tunes are based on standard changes. There are two blues etudes, two rhythmn changes etudes, and etude based on the changes to “A” Train, etc. All the etudes are named after streets in Chicago, which figures as Greg Fishman is from Chicago.

The one thing I would want more of in the book is voice leading. It would have been great to include the voice leadings to the solos, along with some analysis of what was used. It was mentioned briefly in the front of the book, then….nada. It would really make this book stand out if it had detailed, one page sheet on the voice leadings used in the solos. Anyhow, I’ve done a bunch of them for my students so they can see how he constructed the solos.

Rating for this book. 10/10. For $20, this book rocks. You get excellent solos, great sounding CDs, and a lot of information. Go get it!

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The Art Of Improvisation

September 14, 2003 in Reviews

The Art Of Improvisation by Bob Taylor is $23 well spent. It contains over 400 pages well thought out, insightful, and well explained improvisation concepts all accessible via PDF on the CD-ROM. The PDFs include hyperlinks to musical examples, so you can hear things right away, and not have to cue up a track on that old CD player.

This CD-ROM a great tool to learn improvisation, or at least give you another prospective on it. However….

There is only ONE thing I don’t like about this, and that is reading a PDF. I found it a real pain to read it on the computer screen. I actually ended up printing a lot of the chapters out on paper (double sided). Somehow that seemed easier to read, and easier to keep one’s place. I don’t know if it was the PDF format that was a turn off (I love PDFs my self) or it was the reading aspect of it. I think the concept is great, but maybe something more “interactive”, like a Flash or Director thing would have made more sense? I liked the hyperlinks to music examples. Actual MP3s of real people.

The theory content is excellent. Motif development, rhythm section ideas, rhythmic ideas, and so forth are excellent. I could have used more on “playing outside” as that is an area where people have a lot of interest in. I thought the chart on page 280 about playing “polytonally” was interesting, but more on playing “outside” is needed to really make this a cut above some of the other books out there. Perhaps some excepts of a Coltrane and his use of pentatonics, or Michael Brecker or Dave Liebman and their use of chromatics.

This book easily compares to “Intermediate Jazz Improvisation” by George Bouchard, and in a lot of areas offers more (such as sections on rhythm section ideas). My only complaint is I couldn’t get into the PDF reading on the computer. Surprising, I know, but somehow reading a book on a computer screen didn’t seem to work for me. Printing a hard copy of this CD-ROM’s PDFs worked very well for me. I’d rate this a 9.5 out of 10. Great work Bob!!!

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Jazz & Blues Playalong Solos For Alto Sax

April 20, 2003 in Reviews

Jazz & Blues CoverAn adult student of mine showed up to a lesson with this book, Jazz & Blues Playalong Solos for Alto Sax. It is a good book for the price featuring 14 classic jazz songs, such as “Desifinado”, “Take the ‘A’ Train”, and “Satin Doll”.

The only issue I have with this book is that they have written out solos which are not played. My student keeps saying it would be a lot more valuable if it was played, and I agree. The solos actually aren’t bad at all, but how is someone supposed to play along with it when it’s not there? So, the book gets in my opinion, 8 out of 10. It would have received a 10 out of 10, but having the solo written out but not played is stupid.

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Mark Douthit

March 25, 2002 in Reviews

Being an insomanic, I listen to a lot of radio or watch a lot of TV. I happened to be driving when I heard on KCBS some story about a first CD release by a Nashville saxophonist named Mark Douthit. So I went on KCBS‘s website and of course could not find anything about him. I went to the CBS website and looked. Nada (Nothing). So, I turned to trusty Yahoo and found him.

Mark Douthit has played on some like 8,000 recordings (I think that is what the radio story said. But then again I couldn’t FIND it online…). His CD sounds like something to get. I think this guy could be someone to watch. I like him already since he plays my favorite type of soprano.

Update: 03/26 11:12 GMT by E :Amazon,CDNOW, and Tower Records have the album.

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Michael Brecker – Nearness Of You

September 8, 2001 in Reviews

I just got around to listening to Michael Brecker’s new album, “Nearness of You – The Ballad Book”. It features Michael on Tenor Saxophone, Pat Metheny on Guitars, Herbie Hancock on Piano, Charlie Haden on Bass, James Taylor on Vocals and Jack DeJohnette on Drums. The personnel on this CD alone should warrant it in your collection…..As the title of the album says, it is all ballads. I think it is also the first album I’ve heard Michael Brecker with a vocalist, unless you want to count his work with Paul Simon.

The songs, and solos are excellent. Brecker’s tenor work is, as usual, awesome as is Metheny’s guitar, and, well, everyone else who plays on the album. I don’t know how you can pan this album, you have so many masters playing on it.

If your a fast/hard driving Brecker fan, you might not like it. I can only say that this is a great album. 10 out of 10.

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New Brecker Album

June 12, 2001 in News

seer writes “Don’t know if everyone noticed but Michael Brecker has a new album coming out which will be shipping on June 19th. It is entitled Nearness of You: The Ballad Book and promises an all star cast of Pat Metheny, Herbie Hancock, Charlie Haden, Jack DeJohnette and James Taylor.

That is quite a rythm section! It is also interesting that Vocalist James Taylor is to be included. At any rate this looks to be a fine album, we’ll know soon if it measures up to say… his first release, Michael Brecker, which many consider his finest.”

Yes, I was just going to post info on this. Yahoo has a fairly detailed article about it as well.

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Super Audio CDs

October 15, 2000 in Articles

ABC News has an interesting article about Sony’s upcoming Super Audio Compact Disc (SACD). SACD boosts the sampling frequency to a whopping 2.82 Mhz (IE: It samples a sound wave 2,822,400 times a second) which is about 64 times that of current CDs. Sony is planning on have SACD built into all it’s upcomming Digital Audio products.”

Stop SOPA