Pedalboard 5.0

Continued refinement has lead to Pedalboard 5.0. Lets recap a little first…

Pedalboard 1.0 attempted to address this by using the Eventide MixingLink. However, I could never get the volumes of the two inputs to be close to the same. Generally, the sax mic was a lot louder than the EWI. Even with the MXR MicroAmp on it, it was sort of hit and miss.

Pedalboard 2.0 didn’t really fix the problem of the EWI, and introduced a POG, and a Pageturner.

Pedalboard 3 ushered in a smaller board, and me giving up on trying to get the EWI on the effects chain. Pedalboard 3.1 had some changes. I dumped the POG, added a reverb, and made an Arduino page turner. The EWI was still not included.

Pedalboard 4.0 had a great concept, but it had a number of issues that were not working. First, I had everything going through the HX Stomp. Which, was a pain. Say I JUST wanted to use the Eventide for Q-Tron or harmony…..I would have to go to a bypass patch that allowed the effects to “flow” to the Eventide, and then back through the HX Stomp.

Which brings us to Pedalboard 5.0.

Pedalboard 5.0, 12-2020

Abandoning the “everything goes through” the HX Stomp, I have everything going through a One Control Black Loop 2-Loop switcher pedal. This little guy easily lets you decide where to send your sound. To the Eventide? To the HX Stomp? Both at the same time? Done. So you could have harmonies done by the Eventide, but still have another set of something happening on the Stomp.

Now, the one issue that remains is some sort of midi sending of commands to both the Eventide and the HX Stomp. The bluetooth midi dongle I have, a discontinued Quicco Sound mi.1, works well if you have one. But having two…..it doesn’t work so well. I’m thinking about getting a Xvive MD1, but it sticks out a lot……so, I would have to do some rearranging.

But, that is the current rig as of now. Probably another revision in a month or two…..depending on how the pandemic goes….

Tom Scott YouTube Channel

Legend Tom Scott has a YouTube channel, and it’s criminally under viewed. It’s a great channel with Tom telling stories like how he was in the Blues Brothers band, or playing a great little rendition of Have Yourself a Merry Little Christmas (where he does a little bit on the new Roland Aerophone AE30).

I hope Tom keeps posting videos and adding subscribers. He still has one of the most distinctive sax sounds out there. I absolutely love his tenor sound from the 70s. I remember in high school trying to master the “Dirty Old Man” solo on a jazz band arrangement by him. Such a great song. FYI, he also wrote and performed the great Starsky & Hutch Theme. And he was one of the early EWI pioneers utilizing the Lyricon in sooo many of his albums (this was before Michael Brecker got into the EWI).

Go check him out and subscribe

Roland AE-30

Roland has released another in their line of Aerophone Digital Wind Instruments. You have the Aerophone AE-10, the Aerophone GO, the Aerophone mini, and now the Aerophone Pro (AE-30).

Retailing for a whopping $1500, it does have a lot of things going for it. It seems to really embrace the synth part more than it’s previous models, or anything Yamaha or Akai is offering up. Sure, there is a lot of cheezy “sax sounds”, and other sampled sounds, but their is also a “zen core synthesis system” which Roland uses in the Phantom and Jupiter X synth lines. This is very cool. And easily puts it way past other EWIs on the market. You’d have to somehow obtain an Akai EWI4000s (which Akai discontinued) to get a synth engine, and it’s not even in the league of the Roland’s. Plus it has Bluetooth MIDI on it. And can be configured from an editor app on your tablet.

Basically, THIS IS THE WIND CONTROLLER you should get. It has the best of everything on it. Sampled sounds, and a synth engine so you can do………pretty much anything.

The ONLY….complaints are the price $1499 is really steep (and it’s mostly plastic…..and at least one reviewer didn’t like the plastic mouthpiece), the insistence of having a built in speaker (why?……I can see this for the “non pro” ones….but the pro? How about losing that and adding a better mouthpiece (ebonite maybe?) or maybe wireless audio from it?) and that these seems to be a lot of key noise. Like cheap sounding key noise.

Would I get this? YES. This is the direction wind controllers/Electronic Wind Instruments should be going. A powerful engine where you can do sampled sounds, but you can also create new sounds. And it’s not looking like some sort of franken-sax. It’s worth the investment. Get something good. Get this.

Sheet Of The Week – Say So (Doja Cat)

Funky one by Doja Cat.

  Say So by Doja Cat for Eb Instruments (119.2 KiB, 5 hits)
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  Say So by Doja Cat for Bb Instruments (125.5 KiB, 6 hits)
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Sheet Of The Week – Be Kind (Marshmellow & Halsey)

One from Marshmellow and Halsey. Sorta sums up how we should be in general.

  Be Kind by Marshmellow and Halsey for Eb Instruments (142.3 KiB, 3 hits)
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  Be Kind by Marshmellow and Halsey for Bb Instruments (146.2 KiB, 2 hits)
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Guitar Center (Parent Company of Woodwind and Brasswind) Files for Chapter 11

Buyers beware. Woodwind and Brasswind is now in Chapter 11.

Guitar Center, the country’s largest retailer of musical instruments, filed for bankruptcy protection late Saturday night.

The company, which was struggling to compete against online rivals even before the pandemic, was hit hard when it was forced to temporarily close most of its stores earlier this year.

https://www.nytimes.com/2020/11/22/business/dealbook/guitar-center-files-for-bankruptcy.html?smtyp=cur&smid=tw-nytimes

They are the parent company of Woodwind and Brasswind.

Giant Steps As Synesthesia Art

From OpenCulture.com:

Kandinsky never heard Coltrane, but if he had, and had access to 3D rendering software, he might have made something very much like the short animation above from Israeli artist Michal Levy. “Roughly 3 per cent of people experience synaesthesia,” writes Aeon, “a neurological condition in which people have a recurring sensory overlap, such as … envisioning letters and numbers each with their own inherent colour.”