Not long ago, I began to write some casual posts relating to Jazz improvisation ideas and approaches, about Coltrane Changes, John Coltrane, and some off-the-cuff ramblings in my little site at www.jkchang.com. These posts, collected in the “Dialogue” series, were really fun to write (and I hope they are also fun to read as well~), including:
Incorporating the Sound of Nicolas Slonimsky’s Pattern no. 626 in Jazz Improvisation
-Some ideas and approaches in creating “pure” or “quasi”of Nicolas Slonimsky’s Pattern No. 626 sound. These ideas are less “analytical”…more like my own ways (aka shortcuts) to manage Slonimsky’s materials in his Thesaurus Of Scales And Melodic Patterns
John Coltrane’s employment of “The Bebop Lick” in his Coltrane Changes lines in Countdown and Giant Steps
-listening/compiling Coltrane’s employments of “The Bebop Lick” in his Giant Steps & Countdown to list few manageable variant.
Beyond Patterns: Sculpting Jazz Improvisation Lines with the Diminished Scale
-discussing few approaches and ideas to create Diminished Scale sound….for example, using layer approach…etc….to provide few ways, in addition to the usual “here’s your scale”, to execute this wonderful symmetrical scale.
Incorporating Motives of Super Mario Bros. “Underground” Theme in Jazz Improvisation
-a personal post about getting some improvisational ideas from Super Mario Bros.’s “Underground” theme…(although it might appear to be an “Ode to an-incredibly-horrible-gamer”….)
John Coltrane’s Improvised Line in Milestones as a Model for Incorporating Sequential Patterns in Jazz Improvisation
-a personal favorite! This post is about using Coltrane’s improvisational line as a phrasing model to handle lots of sequential patterns in a single improvised line.
Incorporating Dissonance in Jazz Improvisation
-few general ideas on spicing up our improvisations with some juicy dissonances.
-ramblings on Coltrane Changes.
Have fun reading them~ and please let me know what you think~