You are browsing the archive for Recording.

Avatar of admin

by admin

So You Wanna Record A Big Band — Redux

March 15, 2010 in Articles

Back in October 2008 I did a post that estimated the cost of getting all the gear to have a recording rig for your big band. Now, lets take a look at if things have changed.

The original post I went with an Alesis HD24 which was $1600 then. Its the same price now. For preamps, I went with the PreSonus’s DigiMax D8 which were going for $450. Now they go for about $400. We need three of these to give us 24 tracks. For mics, I had two options. Option one was 13 Shure 57s with stands and cables. Then they were $124 each. Now they are $109. Lets keep it simple and stick with that option.

Case for the PreSonus preamps and the Alesis. Its still about the same, $200. And we will keep the same snakes, which are still the same price. We need three of them. $200 each.

Running total now is $5017. Before it was $5412. The only real price difference was the DigiMax D8s and the Shure Mics. We still need to add in drum set mics which haven’t changed in price ($400), and two Rode NT4s, one for the drum overhead and one for acoustic piano. They haven’t changed in price. $530 each. And two SKB mic cases, which haven’t changed in price either. $150 each. And you need a vocalist mic, a Shure 58, which is $99, was $109.

Final total…..$6876. A year and a half ago, it was $7277. The single biggest cost are the microphones. I went the Shure 57 route due to cost and their reliability, but there are alternatives out there that are cheaper. And there are alternatives that are more expensive. If money was NO OPTION, I would probably replace the 13 mics used for the horns with Sennheiser 421s. However, at $299 not including stand and cable, replacing the Shure 57s with these would about $3887 and that is NOT including cables and stands. However, the microphones are really THE thing to spend money on.

So, it is slightly cheaper to get the gear. This is for all new stuff too. If you are internet savvy, you could probably score most all of the gear off Ebay or Craigslist or you could get the scratch and dent deals or open boxed ones. This could lower the costs by hundreds of dollars.

Avatar of admin

by admin

Run ProTools On Mackie Hardware? Say What???

January 31, 2010 in Articles

This summer, Mackie unveiled a new line Onyx-i firewire mixers that you could, with the purchase of a $50 driver, run Pro Tools M-Powered 8 with. You don’t need to own a M-Audio interface. It would just “work”. A lot of people thought Mackie was going to get a taste of Digidesign’s lawyer division in short order. BUT….it seems they have indeed licensed something with Digidesign, so it is now “legal” to run Pro Tools on a Mackie Onyx mixer.

So, why? And why should you care? I think the reason is that Avid (Digidesign and M-Audio’s parent company) has seen that tons of people are using other pieces of software. Logic, Sonar, Digital Performer, Cakewalk, to name but a FEW. Allowing Mackie hardware to use ProTools allows the software, which is really great IMHO, more exposure. Plus you could have a full 32 track studio happening if you bought 2 Onyx 1640i mixers. True, you don’t get the motorized faders that something like the 003 has (if you have Pro Tools LE) or the Project Mix I/O. But both of these only have 8 preamps.

Anyhow, It is great news. Mackie and Digi working together? Hmmm….

Avatar of admin

by admin

Pitch Primer For The iPhone/iTouch

December 3, 2009 in Reviews, Videos

The Apple iPhone/iTouch software market is amazing. Games, tuners (like the great Strobe tuner). Even AutoTune things like I Am T-Pain.

Now, there is the Pitch Primer for the platform. It is amazing. Transcription tool? Sure it could be. Amazing practice tool? YES! Amazing idea? YES! It is easiest to see a demo of it. Things that I’d like it to do would be EXPORT the audio you recorded (several other iPhone/iTouch programs can do this). And it would be killer if it would export things as a midi file. Or Music XML file.

Amazing product. Get it now while it’s $4.99.

Avatar of admin

by admin

Tom Dowd and the Language Of Music

April 14, 2009 in Reviews, Videos

I finally got around to watching some of the things that had been piling up from Netflixs. One of them was Tom Dowd and the Language Of Music. The description is a little misleading:
“Rarely do we get a chance to see a feature-length documentary about a true unsung hero. Tom Dowd was an innovative music producer and recording engineer. Historical footage, photographs and classic music tracks underscore how Tom Dowd altered the course of contemporary music via his many technical achievements. Features appearances by Ray Charles, Eric Clapton, the Allman Brothers Band, Lynyrd Skynyrd, Les Paul and Aretha Franklin.”

This video is WAY more than that. This is THE GUY who recorded Coltrane. He recorded just about every good jazz album out there. ON THE FLY (the way they did it back then). He also recorded a guy name Ray Charles as well. And a bunch of others, like Eric Clapton…..

Did I mention he was also part of the Manhattan Project and was involved in the Bikini Atoll nuclear weapons tests as well? This video is an amazing look into how recording were made, and how a true legend made them. Check out Tom Dowd’s Wikipedia entry as well.

Avatar of admin

by admin

So You Wanna Record A Big Band…..

October 29, 2008 in Articles

So, I’ve been working on this CD for a big band I play in. I have no idea how much it cost to get the person to record it, multitrack, and a couple of sessions. I’m thinking at least $6,000….if not more. So, say you have ProTools (or something similar) that can handle 30 tracks of audio. How much would it cost to get the equipment to do it yourself…..let’s figure it out……
Read the rest of this entry →

Avatar of admin

by admin

Don LaFontaine Dies

September 2, 2008 in News

Don LaFontaine, the man who provided the sonorous voice for more than 5,000 movie trailers, died Monday at age 68. LaFontaine was known as the “king of the movie trailers,” having done the trailer voiceovers for films such as Terminator, Fatal Attraction, Cheaper by the Dozen, Batman Returns and his personal favourite, The Elephant Man.

Yeah, I know, not really saxophone related, but this guys voice was amazing.

Avatar of admin

by admin

Samson Q1U USB Mic

June 27, 2008 in Reviews

I just picked up a Samson Q1U for a student as a going away present. He wants to do some webcam lessons or something (we’ll see how that goes…….yeah). Anyhow, there are a number of USB microphones out, or adapters for Microphones to USB. The Samson was a well under $100 mic that includes a little stand as well (I think I paid like $65 or something).

For the money, this mic is great. It sounds good, and it is stupidly simple to set up. On a Mac, you plug it in, and it shows up right away. You simply select it as the input, and off you go. It can be used in Amadeus, or whatever your recording program is. There is a noticeable latency though when you record.

I really didn’t do that sort of testing with the mic, I just simply plugged it in, and did some sound quality/tone tests with it (as it was a gift and I had to wrap it up and give it the next day). It really sounds great. Like a Shure 58, but not quite. Sounded pretty close to my Shure 58 that I have (keeping it fair, just recording the 58 in 48K, 16 bit). Maybe closer in sound to their Performance Gear 58, though I’ve never seen one of these in the wild. The frequency response graph for the Samson looks better (ie more flat, which is a good thing).

Verdict: For $65, this is a great mic. Sounds great. Simple to use. Comes with Cakewalk for you Windoze people. Brainless setup on the Mac side (plug it in, and it shows up). If you can deal with the latency (or not have to hear yourself while recording), then this mic would be ideal for someone wanting to record but not wanting to spend hundreds of bucks on an interface, mics, and cables. 9 out of 10.

Avatar of admin

by admin

Great Idea….Bad Timing??

June 22, 2008 in News

Alesis ProtrackFinally, a professional mobile solution for recording on an iPod. The Alesis Protrack sounds good…

ProTrack provides convenient, direct-to-iPod stereo digital recording to iPod in a portable, handheld form factor. Users can capture live audio anywhere and anytime with their iPod or iPod nano. ProTrack’s smart design integrates the iPod into the recorder, with included sleds to securely mount supported iPod models to the recorder.

But only records 16-Bit, 44.1kHz or 22kHz stereo, supplies 48V phantom power to inputs when wall-powered (not on the 4 AA batteries it needs), and it only records to iPod (Classic or 5th Generation), or iPod nano (2nd or 3rd Generation). The last one is the kicker. With Apple due to refresh the whole iPod line anytime, it is rumored that the Classic iPod will be dropped…..and who knows about the Nano.
If this product was released like…….two years ago, it would have been great.

Avatar of admin

by admin

AKG C214

May 26, 2008 in News

AKG has a new mic out, the AKG C214. From the press release:

Based on one of the most successful studio mics released by AKG, the C 414 model, and using all the feedback that during 30 years they have received from its users (maybe they could release a new version earlier, but…), AKG has released the C 214 Condenser Recording Mic, that includes some of the features of the models which is based on and some improvements that does not make it a expensive mic affordable only for big studios.

The AKG C 214 Recording Mic is a single capsule model that features cardioid polar pattern, 20 Hz to 20 kHz frequency response, from 12 to 52V phantom power, 1” edge-terminated large diaphragm, ultra low noise circuit (that includes a suspension to reduce the mechanical noise), rugged double mesh grill (to protect it from high radio-frequency signals), switchable bass cut filter, switchable pre-attenuation pad (up to -20 dB) and 3-pin XLR output.

This mic is specially good for vocals and miking instruments or amps, both in stage and studio, and comes with a shock mount and a carrying case. The AKG C 214 Recording Mic will be available after the AES show and its price will be $600.

I have two C414s (a ULS and an EB…..don’t ask why I need two, I just DO….or think I do). Honestly, I can’t think of the last time when I put them OUT of cardioid pattern.

Avatar of admin

by admin

Spare Room to Studio in 10 Minutes

April 28, 2008 in Articles

The SOS Forums had this interesting thread about a bloke who can turn his guest room into a studio in about 10 minutes.

My studio set up consists of a control room/office which is unusual in that it has no parallel surfaces, even a sloping roof. This room is loosely triangular being a maximum of 4.8m long and 4.5m deep. There’s a short 1.2m corridor (which I call the portal) that leads into a guest bedroom which is 3m by 2.7m.
Sometime ago I renovated the guest room so that I can convert it into a studio in around 10 minutes and I thought this might be interesting/useful.
The guest bedroom has a permanently installed double bed in it, but I’ve put it on hinges! It’s really easy to hinge the bed onto the wall

Pictures and other info with the original post.

Avatar of admin

by admin

Best Recorded Big Band Albums

March 24, 2008 in Articles

As frequent readers of Jazz-Sax.Com will know, I won a pretty awesome M-Audio package. I really did not have the “horse power” to use it until my G4 PowerMac decided to die. Followed by my G4 Cube (though that was probably more me messing around with it than it just dying on it’s own accord. IE: It was apart and being messed with). Anyhow, I invested in a new MacPro 2.88 Dual QuadCore computer. Whoa. Fast!

Anyhow, a big band I play in is in the process of recording a demo. We’ve had two concert recordings. The first, according to the engineer, didn’t come out so clean, and would require a lot of work. The second came out way better. I was able to obtain the ProTools session from the first recordings, and have been using ProTools M-Powered to clean it up and what not.

Now, the question is actually two questions. What is the best studio recording of a Big Band, and what is the best live recording of a big band? For the former, I’d have to say Gordon Goodwin’s Big Phat Albums are amazingly well done. For the latter, I think the one that sticks out in my mind is Frank Sinatra and Count Basie – Sinatra at the Sands.

Opinions?

Avatar of admin

by admin

Gearjunkies User Studios

March 11, 2008 in Articles

Gearjunkies.com has opened a neat new little site called Gearjunkies UserStudios. Here, people can flaunt their pro, semi-pro, project, or home studios. Though, right now, it seems that a lot of info is left out such as microphones, computers used, etc. But it was just launched, so, hopefully, that will be coming soon.

Avatar of admin

by admin

Auto-Tune Abuse

February 7, 2008 in Articles

I came across this article from Hometracked.com.

Pitch correction software has applications from restoration and mix-rescue to outright distortion of a voice or instrument. I’ll discuss some of the more tasteful uses of these auto-tune tools (whether the original from Antares, or a variant like the free GSnap) below. But first I thought I’d highlight their misuse to illustrate the effects we usually try to avoid.

I think the second example on the page is more of a vocoder thing, ala Gorillaz or Peter Gabriel. However, there is a band I play in where we are trying to do a CD, so, we hired someone to record us live. After 3 months, he had two songs done, and I’d say they are not anything to write home about. He even put in clapping which makes it sound even more fake.
When I record, I try NOT to do much to it. Balance it, sure, but pitch correction…..not really, unless there is something that totally sticks out like a sore thumb. I had a two or three songs that students did before Christmas that I had to do some pitch correction with, but it was not the whole song. Just a couple of notes here and there.

Avatar of admin

by admin

M-Audio Fast Track Ultra

January 25, 2008 in Reviews

Fast Track Ultra PictureI got into recording a while ago, my first interface being an original MOTU 828. That thing works great. However, it is not supported in ProTools, and I kind of want to start using ProTools more. Plus, I want to move it to my home studio to hopefully make it easier to record virtual tracks by connecting my PC and Mac together via the ADAT outputs of the 828. Anyhow, M-Audio came out with a diminutive new little recording box that works with ProTools M-Powered, and supposedly has excellent microphone preamps as well. This box would be their new USB2 Fast Track Ultra interface.
Read the rest of this entry →

Avatar of admin

by admin

NAMM Show 2008

January 18, 2008 in News

The NAMM show kicked off the other day. So far, I haven’t seen anything that pops out “Whoa, that’s neat” to me. Some interesting things are:

I haven’t seen anything saxophonish yet……..

Stop SOPA