Dunno what is up with the dark glasses. Nor the using of the Metal Link (is that a metal link?). Last time I saw Menza he was totally into getting vintage rubber mouthpieces and modding them to his liking….
Year: 2010
MusicReader For iPad
There are lots of very interesting Apps coming out for the iPad. One that has come out for musicians is MusicReader for the iPad. While the iPad App is free, the software to get files into the program costs anywhere from $59 to $99. Outrageous? Damn right. Seriously, this is highway robbery. A more reasonable solution would be maybe to charge $4.99 for the program and give the converter program out for free. But $59? You have to be kidding.
I’d stick to GoodReader, which is $.99 and request that the author of this GREAT program to add annotations, which would basically do what MusicReader does. I have scanned in or printed to PDF a number of things and you can read them easily in the GoodReader. For $0.99 rather than nearly $60…..
The Real Book Play-Along – Volume 1
Hal Leonard is selling a CD set of backgrounds to ALL the songs in the Real Book Vol. 1. For about $100, you get 12 CDs of piano, bass and drums background that range in time from about 2 1/2 minutes to 6. Depends on the song. A couple of songs, like Wave, have guitar on them….sorta….it almost sounds like a synth patch. Or it was added as an afterthought. Some of the tracks could have been better with just guitar, bass and drums (like wave or Summer Samba). A couple of songs they took the piano out and replaced it with an electric keyboard type sound (like Sugar) which isn’t bad, but it isn’t as good as, say, a good B3 type of sound.
Is it worth the $100? Yes. Originally I thought this would be sort of a lame package, or something that wouldn’t really add anything to the songs one might already have the Aebersold versions of. Or maybe that my favorite program, Band in a Box could do what this offers and more. The backgrounds on these discs are accurate playings of the songs found in the Real Book that Hal Leonard publishes (or if you still have the “illegal” version that used to float around until Hal Leonard picked it up). The guys on the discs will give you whats on the page. I suppose that Band in a Box could do that too with some work, but it still couldn’t capture the drum hits on songs like Some Skunk Funk.
9/10. It’s a little costly, some of the songs aren’t as long as I would have liked, and I wish there was more variety than 90% if the tracks being Piano, Bass and Drums, but it still offers a lot of songs (240 according to my iTunes playlist after I imported all of them) to practice with.
Saitara Software AC-7 Pro Control Surface for iPad
Yes, the iPad is out. Yes, it is amazing. No, it is not simply a bigger iTouch or an iPhone without the phone part. If you haven’t been able to try one, then go to a store and try it. You will be hooked. There are a few music apps out, like Magic Piano which is neat-o to show your friends, but really has no practical use in my opinion.
However, there are a few functional apps in the store, and one that I’m growing fond of is the AC-7 Pro Control Surface for the iPad ($9.99). It turns your iPad into a virtual fader board and DAW controller for Logic, Digital Performer, and Pro Tools. It does this “magic” by utilizing your WiFi network to connect to your Mac using an open source program called DSMI to connect to the app and translate its messages to midi. You then go and configure your DAW to receive the midi stream from DSMI as a Mackie Control. And it works….mostly.
I say mostly because, well, there are issues. First off, using your general wifi network (ie the network that your mac, iphone, ipad, internet connection is on) it seems to work most of the time, but it will lose connection every now and then. Usually when you really need it. General consensus seems to be that on an busy network, if there is a packet that gets dropped, DSMI and the app don’t retransmit it. Or something to that effect, resulting in programs like Pro Tools complaining about the HUD connection or worse, messing up the position of the fades, which could be bad.
If you have a Mac that has built in WiFi, you can create a private wifi network, and put the iPad on it, and then the App works flawlessly (at least for me). But if you have a MacPro that doesn’t have its own wifi transmitter, well, you are going to have to suffer for a while. To get dynamic track names, you also need to use a freeware program called midipipe.
So, it is a start. I think really what needs to be done is a custom app on the Mac side that connects properly with the iPad app and won’t drop packets and drops the need for midipipe. If you can get through the setup, it is a very slick app. The Pro Tools support is basic, but the support for Digital Performer and Logic is pretty darn complete. And it can only get better with updates which will hopefully add more Pro Tools support. It’s bleeding edge, but workable. It is really nice now to not have to be tied to the computer to control Pro Tools. If you have an iPad, or an iPhone/iTouch (there is a smaller version for iPhone/iTouch), and work with DAWs a lot, check this app out.
8/10 (2 points deducted because there is no unified mac app for it…..you have to run 2 programs, and the configuration is not totally apparent).
Some guys demo of it.
Why this guy is wearing a Microcrap shirt I don’t know……(Update: He works for Microcrap….I can hear the chairs being thrown by Steve Ballmer now….)
Hear You Hear The Difference?
Ok, a little hearing test for you all. I got them ALL right 😉 And I did NOT cheat. I found the second one, the louder one, a tad bit harder.
Can you hear like an audio engineer?
Can You Hear Which Is Louder?
WAV vs. MP3
Metallica-Enter Sandman (Smooth Jazz Version)
Ok, not sax related, but I thought this was really really well done.
Band in a Box 2010 for Macintosh
It has been really hard keeping the cat in the bag (I was a beta tester for the last 2 weeks or so), but tonight PG Music finally released Band in a Box 2010 for the Macintosh. As was the case in the previous version, this version is Intel only. So, you people with G5s or other PowerPC chipped computers….you are out of luck. Though the speed increases in this version (more on that in a sec) probably would have made Band in a Box 2010 tolerable for G5 Macintoshes.
There are quite a few new features, and I’ll list the ones that I think are the best.
1. “No more long waits for RealTracks to generate! RealTracks generate much faster, 4X faster on average. A typical song with RealTracks that took 20 seconds to generate will generate now in about 5 seconds. And if you freeze some or all tracks in the song (see below), playback of RealTracks is almost instantaneous.” In Band in a Box 2009.5, generating Real Tracks took FOREVER. Even on a MacPro, it took a while. On an iMac…..it could take nearly a minute in some cases. NOT ANYMORE. On my iMac from 2006 (a lowly 2 Gigahertz Core 2 Duo iMac), it was fast in generating real tracks. Most took maybe 5 seconds to do. I think the longest (like 10 choruses with 4 real tracks and a real soloist) took maybe 10 seconds. Ok, 12. But that was still totally fine. They are NOT kidding about the speed. It is way faster. Useable fast.
2. “Time for generation of MIDI arrangement is much faster – now ‘instantaneous (less than 1 second)!” Yup. Midi arrangements are nearly you press play and it goes. Even if you do 20 choruses with 5+ instruments.
3. “There is now a “Plug-in” mode for your favorite sequencer (GarageBand, ProTools, Logic, Nuendo, Reaper and more). With the new plug-in mode, BB is open as a small always-on-top window, and acts as a plug-in for your favorite DAW/sequencer, so that you can Drag-n-Drop MIDI and audio (AIFF) tracks from BB to your favorite sequencer. Work in your favorite sequencer, type a progression in Band-in-a-Box, and then simply drag the track from Band-in-a-Box to your sequencer’s track at the desired track and bar location.” This is actually really cool, though how it works is a little strange initially. You can, say, load up Garage Band, and say you have been working on a tune that is in 3/4 and is in the key of A and you need a guitar line. Or solo. You can fire up Band in a Box, type in some chords, select a style or soloist or real track, or real soloist (or whatever they call it), and switch Band in a Box into DAW mode, tell it you want to generate AIFF or m4a audio tracks or Midi tracks, and drag the track right into Garageband. Boom. (I did leave out one step, but I feel you need to SEE it to understand it)
4. “Freezing (locking) MIDI or Real tracks/RealDrums. Any track can now be frozen (MIDI or Real track). When frozen, it won’t get changed or re-generated. This saves time when replaying previous songs, and allows you to freeze an arrangement that you like. If you freeze the whole song, you don’t have to wait at all for the song to regenerate. Next time you play, it is ready to go. (Note: this new freeze feature is different than the previous limited freeze feature that renders the whole arrangement to the audio track)” Kinda cool, but since it is so much faster overall in generating tracks I didn’t really use it much. Though if you FREEZE all the RealTracks, it plays back the song instantly.
There are some other things like it will Normalize a rendered Audio file, Endings of songs work better, you can resize the window, things are saved with the song. All good stuff. But the 4 listed above I think are the bread and butter. Ok, so, there are still some things that are in the Windows version of Band in a Box that are not present in the Macintosh version. Most notable is the Ear Training part (which is really nice). It doesn’t detract from the overall amazingness that this program has. If you do music, you NEED to have this program on your computer. If you are a Jazz student, or someone who plays jazz, this program is something you need to have for working out that new chord progression at whatever tempo, for 30 choruses, in a Polka style. Or whatever.
Upgrade price from Band in a Box 2009 is $159. First time purchasers $399. You get something like nearly 70 gigs of stuff. Amazing sounds. Totally worth it. 10/10 (and I can’t remember the last time I gave something a 10 out of 10)
So You Wanna Record A Big Band — Redux
Back in October 2008 I did a post that estimated the cost of getting all the gear to have a recording rig for your big band. Now, lets take a look at if things have changed.
The original post I went with an Alesis HD24 which was $1600 then. Its the same price now. For preamps, I went with the PreSonus’s DigiMax D8 which were going for $450. Now they go for about $400. We need three of these to give us 24 tracks. For mics, I had two options. Option one was 13 Shure 57s with stands and cables. Then they were $124 each. Now they are $109. Lets keep it simple and stick with that option.
Case for the PreSonus preamps and the Alesis. Its still about the same, $200. And we will keep the same snakes, which are still the same price. We need three of them. $200 each.
Running total now is $5017. Before it was $5412. The only real price difference was the DigiMax D8s and the Shure Mics. We still need to add in drum set mics which haven’t changed in price ($400), and two Rode NT4s, one for the drum overhead and one for acoustic piano. They haven’t changed in price. $530 each. And two SKB mic cases, which haven’t changed in price either. $150 each. And you need a vocalist mic, a Shure 58, which is $99, was $109.
Final total…..$6876. A year and a half ago, it was $7277. The single biggest cost are the microphones. I went the Shure 57 route due to cost and their reliability, but there are alternatives out there that are cheaper. And there are alternatives that are more expensive. If money was NO OPTION, I would probably replace the 13 mics used for the horns with Sennheiser 421s. However, at $299 not including stand and cable, replacing the Shure 57s with these would about $3887 and that is NOT including cables and stands. However, the microphones are really THE thing to spend money on.
So, it is slightly cheaper to get the gear. This is for all new stuff too. If you are internet savvy, you could probably score most all of the gear off Ebay or Craigslist or you could get the scratch and dent deals or open boxed ones. This could lower the costs by hundreds of dollars.
Wind Controller+TouchOSC+PureData=Cool
Ok, now this guy is rocking technology. He’s using a Yamaha WX 5, TouchOSC and an open source program called PureData. Just watching this opens up a LOT of interesting ideas. Like using the TouchOSC to control loops, or change patches, or apply filters, or…….the things are endlessly possible.
The Music Of Avatar
Ok, this is a total ad for ProTools, but it is highly interesting. Such gems as that when they did music for Titanic, they had 2 tons of outboard gear. On Avatar? Just one Mac Pro. Amazing.
Avatar — Avid Audio is the Avatar for Groundbreaking New Soundtrack from Avid on Vimeo.
Scoring The Dark Knight
Great video of Hans Zimmer and how he scored “The Dark Knight”
Rico Saxophone Strap
A few months ago, RicoReeds.com had a survey or something (honestly don’t remember) on their website that, if you took the time to fill it out, they’d send you a neck strap. Well, lo and behold months later, I received said strap. 
(it looks sorta like the one on the right, sorta. The patterns different.) If I was buying this strap for $10, I would. The hook is great, and it adjusts in a snap. That is what I love. My favorite neckstrap to take on gigs, especially if I have to switch saxophones a lot or use a bass clarinet, is a Ray Hyman strap.
Why you say? It adjusts instantly, and easily. But it has no padding?!? True enough, but generally in Orchestra Pit work and gigs, one wears a shirt with a collar. However, since I am down to ONE of these Ray Hyman straps (from 3 :-/), this Rico Strap will probably be the strap of choice. It is more comfy than the Hyman, but still has its adjustability. Oh, and they also make the same strap but padded.
I like this strap. Even though it says Tenor/Baritone, it works fine on Tenor/Alto. Thanks Rico/D’Addario for finally sending it out!
Interview with the creator of the Apple startup sound
TUAW had a great article last week. An interview with the guy who created the startup sound on Macs, Jim Reekes.
It’s amazing the amount of math, thought and stuff that went into this. Long live the Cmajor startup sound.
100 Major II-V-I Bebop Lines SK “Single-Key” Edition
Dear all,
Greetings!
I am writing to let you know the complete set of “100 Major II-V-I Bebop Lines SK Edition” is now uploaded to the Downloads section at JKChang.com. The SK “Single Key” Edition features bebop lines from the original “100 Major II-V-I Bebop Lines vol. 1” organized into individual key. This organization is designed to help improvisers to work on II-V-I lines in specific keys and might be helpful additions as the pre-chromatic transposition exercises.
Edition Information:
“This volume of the Jazz Improvisation Series, an extension of 100 Major II-V-I Bebop Lines, emphasizes upon major II-V-I jazz lines stylized in the Bebop tradition. In this edition, 100 Bebop lines are grouped into single keys to facilitate the development and familiarity of Bebop idiom of specified key. It is recommended that users start the exercises in a comfortable speed and gradually build up the facility to satisfy the technical demands in faster tempos.”
PDF file (200+ pages) is located in the Downloads page. Click “Featured Download” banner to access the corresponding page for SK Edition. Additionally, please submit your ideas and suggestions in the “comment” section of “Downloads” page if you have specific requests for new biab materials. Please leave suggestions for existing projects in their corresponding pages. Thank you.
As always, I hope these materials will be useful to some of you:-)
Regards,
J.K.
Capo 1.1.4
The world of programs to slow down songs to figure them out has another member, Capo ($49). Right off the bat, this program has a great interface.
Smooth, and Mac. It also has a great vocal remover. And you can export sections of the songs to a file, or if you removed the vocals, you can save it to a file. You can also add markers for sections of the song and stuff. Pretty cool.
Yet…..for a $1 more, you can get Transcribe, which might not have the amazing Mac interface, but has way more functionality….like using the markers to divide up the beats between measure markers. Or the spectrum analysis (which is EXTREMELY helpful).
So, while I like Capo’s feel, for the same price, you can get Transcribe….which is better. Maybe if they dropped the price to $25 or so, it might be worth having in the arsenal. But not for $49 when there is something way better for that price.