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A Great Loss

December 15, 2006 in News

Bill Duncan, who put together the great Finale Productivity package, has passed away. He was a great guy. I had numerous email exchanges with him, and he was very informed on the notation practices in L.A.

I’m sad. His great stuff will live on in my Finale work. His over-sized time signatures, rehearsal font, and jazz articulations. Thankfully, he was able to complete his wonderful engraver’s jazz articulation font before his death.

Bill, I’ll miss you. Thanks for the great fonts, Finale insights, and general music preparation techniques.

Finale 2007

November 30, 2006 in Reviews

MakeMusic released Finale 2007 a while ago. August I believe. I’ve been using it since then, and I think I can finally review it properly.

There are not a lot great new features in Finale 2007 compared to 2006. The big feature, in fact, really the only feature that is huge, is the linked parts. Though, on MakeMusic’s preview page they harp “features” such as “Authorization Improvements“, and “Improved pickups, vertical collision remover“. There are a couple of other new things I get to. Let’s dismiss the authorization thing. That is as lame as the Copyright symbol they billed as a feature in 2006. The vertical collision remover sorta works, but not really. I can’t really see any difference in the pickups as I really didn’t do much with complex pickup measure.

So, lets dive into the reasons why you’d want to upgrade to 2007…..

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For computer Recording I use…

April 30, 2006 in Articles

iPad....essential device or stupid fad?

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RIP Jazz Font

December 15, 2005 in Articles

Since it first came out, I was an advocate for the Jazz Font. I still have the 3.5″ floppy that I bought to use with Finale 3 something. The disc has 1995 written on it. Anyhow, now I see it all over the place. The Jazz text font people use with other fonts. Yikes! And the music produced using the Jazz font is hit and miss. Sometimes it looks good, sometimes not (except like Warner Bros professional scores, those look great). And then there is a variation called Swing Font from the same author, and we won’t go into that goofy looking Sibelius “jazz” font….all these “hand written” fonts don’t look hand written to me anymore. I hate coming into a rehearsal and having to deal with a bad font and poor formatting. I had a rehearsal about 2 weeks ago where someone brought in a Sibelius chart that could have been 2 pages in Finale, but was 4 in that goofy Sibelius jazz font. Looked like crap.

Having been exposed to a “better way”, I’m am leaving the world of the Jazz Font. Too many people use it, and, honestly, it isn’t as cool or as good looking as it once was.

I’ve rewritten my venerable “Zinn Practice Regimen” for sax using Bill Duncan’s Finale Productivity stuff. Amazing. There is no comparison. This new version is easier to read, looks better. Hell, it’s better than some books I have bought. Mr. Duncan is currently working on some Jazz Articulations to include in his package. Scoops, falls, bends and whatnot. Looking forward to it!

It’s been a good run Jazz Font, but, alas, time for you to be retired.

James Newton Howard On Scoring For King Kong

November 28, 2005 in Articles

KongisKing.net has a couple of interesting videos about the post production of the new King Kong movie. Of interest are the post production movies of weeks 4 and 5.

Amazing that he does about 2 minutes of music a day, and then the copyists come in at like 4am to write out parts for the orchestra to play in the morning. Also amazing the amount of Macintoshes used ;-) Also of note is that it appears that Finale is used, by the look of a couple of the pieces of music in the videos, specifically in the Week 4 video, about 4:21 into it. Looks like Finale using Bill Duncan’s Finale Fonts

Finale 2005

August 26, 2004 in Reviews

MakeMusic released a new version of Finale last week. 2005. I have to say, this version has the fewest visual changes in it since……I can’t remember. It looks and acts just like the last couple of versions of Finale, except for the new (improved? naw) Launch Window. That was the first thing I had to get rid of.

I digress though. Lets look at what Finale 2005 brings to the plate compared to 2004….

First, there has been a LOT of complaints about the OS X version of Finale. It was LATE arriving (promised in October, then delayed till December, then Delayed again until Jan 04 I think….), and was a performance hog. It seriously did not perform as well as Finale 2003 on the same system. Partly, this was due to it being a OS X first generation port, and partly it was due to the nature of OS X. Programs get allocated different priority in OS X, which is a true multitasking environment. Memory, disk access, just about everything is different on OS X.

Anyhow, that being said, I did notice a performance difference in 2004. It was a little slower. It didn’t really bother me, new features such as Expressions, and other things out weighed the performance issue. I noticed a big difference in screen redraws. My QuickSilver G4 with a Quartz Extreme video card refreshes a lot faster than my G4 cube without a Quartz video card. Course the Quicksilver is 933 MHz compared to 450 MHz.

Finale 2005 does not seem to really increase speed at all. Maybe, but I have no quantitive numbers, or specific things to point at. It feels the same. Under Windows XP, none of these performance issues are a problem. Finale 2004 and 2005 are really fast on my Athlon 2+ gigahertz machine.

New features: There are not a lot of new features that I would use. Things like Finale Performance Assessment, Marching Percussion sounds, Third Party Sound Fonts, Advanced Hyperscribe, and the afore mentioned Launch Window. These are fluff features, especially the Finale Performance Assessment thing. It’s basically a Smart Music component. Saving something to Smart Music, which you can do in 2005 (and 2004 I believe), is a good idea, but starting to incorporate Smart Music into Finale…..I dunno…..

The good new features are Intelligent Repeats, Spacing and Grace Note improvements, Transportable Staff Lists and Tuplet Controls. The last one, Tuplets, is 40 times better than what it was. Tuplets was a huge Achilles heal for Finale since they put in Engraver Slurs in 2003 (I think, or was it 2002). There is a little “bug” in it, where the number does not stay in the center of the bracket if you do large intervals. I expect this to be fixed in the first maintenance release. The Repeats finally make sense too, and you can either have them all displayed on a score or not. Grace notes spacing is a great boon as well.

Ok, so, the big question, is it worth it? The Tuplet thing easy made it worth it. Repeats as well. The other stuff was nice but, eh, I could live without. The upgrade price was more reasonable than before, $89, and both the Windows and Mac version are on the CD. Woohoo. AND, you can put Finale on TWO computers. So, if you have a PC and a Mac, you can put the ONE copy you have on both these computers. You still have to deal with the funky registration, but the licensing is very reasonable.

I still think Finale leads the pack, but it needs to add some things. More Jazz Notation. Make Chords easier to enter! Jazz Articulations! That is what I want in the next version.

Finale 2004 PC

November 23, 2003 in Reviews

While I still am pissed about Coda Music blowing it on shipping out a OS X version of Finale on time, I finally broke down and upgraded my PC version for a couple of the new features it offers and that I need. I also found a couple of interesting new little things in the program as well….First off, there is a lot of stuff that I don’t need nor wanted in the new Finale 2004. Human playback, Soundfonts, and Save as Audio are the main ones. Yes, its nice to know that people without a midi rig can hear things better. And that they can save things to burn to CD. Good for them. The hard core Finale users, like myself, need things that make our lives easier.

Coda changed the Simple Note Entry a little. Honestly, I can’t remember the last time I used that. A new expression interface is, however, something long over due. This really now fixes a lot of the annoying little “glitches” one encounters while scoring out one’s music. Namely, the damn text/dynamics being in strange places. Is this alone with the update price? No, but it is getting there.

FinaleScript sounds interesting, but who has time to muck with that? Drum Grooves is a welcome addition, but the notation is still a little strange. And you can not get the Drum Groove to do time changes. No big deal I guess. Smart Page Turns looks good. I haven’t gotten to the point yet to try it, but it looks like it could help. It would be nice to see this in the EXTRACT PARTS area rather than where it is (PLUGINS->New Plugins for Finale 2004->Smart Page Turns). Maybe if I learned FinaleScript I could have something automatically run it? Um…….NO. Coda! Put the option in EXTRACT PARTS, just like Music Space is. Geeze. Hello.

Smart Cue Notes is a welcome addition, though I am so use to using TGTools one that I might continue using that one.

For those who use another sequencer and load the final project into Finale for Printing (like I do), you’ll be sad to know that Midi importing still sucks. One thing I found that it has now is this great little Plug-in, Auto Dynamics placement. It goes through a measure or measures, and based on the Midi volumes, puts in dynamics. Now that is a very welcome feature. However, since Midi imports still suck, it will save me a little time, but not a lot.

Verdict? On my lowly 600Mhz Pentium III, Finale 2004 seems a tad zipper. There are just a few things worth upgrading to. Is it worth the price? For the PC version, not really. The expression interface is the main reason, and if you have TGTools you probably don’t need Finale 2004. For Mac users, when/if they ship a OS X version, then it would be worth it and more. But for PC users, if you have Finale 2003 and TGTools, stay there. Unless you need some of the new things.

Herbie Hancock – Applemaster

October 17, 2003 in Articles

I knew Herbie was into Apple computers, but not at this level. This article details Herbie’s experiences with Apple from the pre-Macintosh days. Herbie is very fluent on computers, owns 3 iPods, uses OS X, and loves the fact that his music is available on Apple’s iTunes Music Store.Wow. You da man Herbie! Except for that switching part to Sibelius from Finale. Thats bad Herbie, bad!

Finale 2004

August 6, 2003 in Reviews

Finally, Codamusic is coming out with an update to Finale. The most notable feature to me is the OS X support. Its interesting that Coda decided to Carbonize Finale 2004 so it runs under OS X and OS 9.

Other features that sound interesting are: Finale Script, New simple entry, Drum grooves, Pitch to midi converter that works?, Smart page turns (finally!), and Edits. One feature, the ability to make a sound file out of a Finale File seems to me, well, something I wouldn’t use. I have a midi rig, and is this sound file going to sound as good as my tone modules? I don’t think so. Band in a Box has something like this as well.

In all, a good sounding update. $89. The same cost as the last update. The OS X version isn’t going to be released until October though. PC Version in August.

Plugin For Finale

April 11, 2003 in Reviews

Finale I still think is the best notation program out there. You Sibelius geeks can argue, but I love Finale.

For users of Finale who have always wanted a quick, easy way to put note names on music, there is now a plug in. TG Tools has a FREE plugin that puts Pitches on notes. Great for beginners. It’s not perfect, but the resulting pitch names become score expressions that you can edit. (sharps are cis instead of c#, and b’s seem to come out h). Very cool, and free.

TG Tools is also a great addition to Finale. I’d get it if you plan on doing anything big or just want to do things easier.

Finale 2003

June 1, 2002 in Reviews

Coda Music has released Finale 2003. There are a host of new features, including more support for a Band in the Box Plugin, a universal edit tool (FINALLY!), an interesting looking template feature, and better support for Musical scanning and importing.

The word on the Mac version is this. Classic application, no OS X support in Finale 2003. They say that it will be more stable in OS X than it is now, but it will not run natively. A lot of the users of Finale for Mac are upset, but considering that most of the BIG players such as Digidesign, Mark of the Unicorn, and Steinberg don’t have OS X support yet, I’m not really too surprised. Looking forward to playing with the new version though!

Update: 06/01 23:35 GMT by E :I found this review of Finale 2003. Good stuff!

Finale 2002 Review

September 20, 2001 in Reviews

I just received my upgrade to the latest, greatest version of Finale. Finale 2002 sports a host of new “features” such as an Exercise Wizard, Smart Find and Paint, and a Band-in-a-box auto-harmonizer….The upgrade price was the same as last year’s release of Finale. $79.95. I have both a Macintosh and a PC, so, I did get both upgrades. On the Macintosh end, it is NOT a OS X native application. Don’t expect it anytime soon either, from what I understand there are no standard midi drivers yet in OS X, so, Coda would have to write their own……….

Installing Finale 2002 was painless. I wish it would ASK you if you wanted Acrobat Reader installed. I already have it installed on both my machines. And Acrobat Reader is up to version 5 now, not 4 that is included on the Finale CDs.

After installing, everything looks pretty much the same. They have a new splash screen for the program, but the tool bars look pretty much the same. Some people on the Finale mailing list complained that the new version seemed slow. I don’t find that at all on my machines. It’s as fast as the previous version.

Ok, new features. First off, I was really excited about the Band-in-a-box harmonizer. Forget it. It’s lame. I’ve tried it a couple of times on a couple of different pieces of music. Unless you want “repeat note city”, it’s not worth dealing with unless your doing some SLOW stuff. The Exercise Wizard is equally lame. I don’t see what I’d use that for.

However, the Smart Find and Replace is absolutely great. About freaking time something like that was included to make life easier. The old way you had to do a Mass Mover with only articulations and expressions, and most of the time it would work. Usually not though. Bravo on this feature. Same for the slurs. They are smarter and you have more selectable points to tweak them with. The other neat new feature of Finale is the Melodic Morphing. I played with this a little and it’s kind of cool. Don’t know what I’d really use it for, but it might be something I’d experiment with a little.

If you use Finale, you should get the update. The inclusion of some great shareware plugins in addition to the slurs should make it work it. It seems as stable as previous versions. The price though seems a little steep. I would probably have priced it more like $49.95. There are not a lot of features that Finale pros would use.

Finale Plug-ins

June 24, 2001 in Reviews

TGTools makes some incrediable plug-ins for Coda’s Finale. Some of the things I love are the Improved Parts extraction plugin and join rest for multiple layers plugin.

The author also has a very informative comparison of Finale and Sibelius.