Covid-19 lockdown has lead to some experimentation. And some rethinking of what I wanted the pedal board to be able to do.
First, when doing gigs, sometimes you get a venue where they insist on doing their own sound. Fine. But then they have a “board” which has 16 inputs. And the keyboard player needs stereo input. And so does the guitarist. And the singer’s multi-effects pedal is stereo. And so…..there are now no inputs left. So the EWI you brought along can’t be used.
OR the venue has a “sound guy” who’s really just there for the free drinks and the people. The “sound guy” is not going to be adjusting any volumes. Well, depends if he has a drink or not.
And….what if you want to run the EWI through an effects chain? And the sax? Can you do both at the same time?
Pedalboard 1.0 attempted to address this by using the Eventide MixingLink. However, I could never get the volumes of the two inputs to be close to the same. Generally, the sax mic was a lot louder than the EWI. Even with the MXR MicroAmp on it, it was sort of hit and miss.
Pedalboard 2.0 didn’t really fix the problem of the EWI, and introduced a POG, and a Pageturner.
Pedalboard 3 ushered in a smaller board, and me giving up on trying to get the EWI on the effects chain. Pedalboard 3.1 had some changes. I dumped the POG, added a reverb, and made an Arduino page turner. The EWI was still not included.
Which now brings us to Pedalboard 4.0……


Natural by Imagine Dragons for Eb Instruments (106.3 KiB, 13 hits)