Tag: Jazz

Fourth Obession – Wil Greenstreet

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Sometimes, people send me stuff to look at. Wil Greenstreet sent me his book, Fourth Obsession – inroads to out there. This book, obviously, deals with Fourths, something a lot of books touch on, but never really focus in on. This book does that. Starting out with the basics, being able to play fourths through the full range of your horn, then applying different rhythms to the fourths. Then backwards, then zig-zags, then zig-zags backwards, then zig-zags with rhythms, then zig-zags with rhythms backwards. You get the idea. And that is only the first 18 pages of 183 pages. Subsequent chapters deal with strings of fourths (in three, four, five, and six), root movements and fourths (whole-steps, minor-thirds, etc), and twelve-tone rows. All these get the backwards, zig-zag, zig-zag backwards, and with rhythms.

Whew! I don’t think he left out any combinations. Maybe I should consult with Johann Carl Friedrich Gauss or Archimedes to see if there are any other combinations.

After playing things out of this book over the weekend, there are some very cool lines to be found. The layout of the book is top-notch (except for the occasional use of the Jazz Text font, which I personally disdain). The material is presented clearly, the text is easy to read, and understand. The exercises, while not completely written out like in Walt Weiskopf’s books, are presented in a way where you can follow them (example being on the left page one would see the string of fourths in a group of five going up in half steps, and on the adjoining page the rhythms to practice them with). Should provide anyone with hours and hours (if not weeks or months) of stuff to practice. One thing that I wish was included were some etudes that encompass all that was presented in the book. I think that would have been a great bonus to have.

Looking for something to dig into? Then get this book. 9.5/10 (.5 deducted for lack of etudes, and illegal use of the jazz text font). The book can be purchased for $23 ($20 + $3 shipping) from Wil Greenstreet.

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Jazz Saxophone Etudes By Greg Fishman Vol. 2

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Greg Fishman has been at it again. This time, he has come out with yet another book of Jazz Etudes. Again, he has named each Etude after a street in Chicago. I’ll just take Greg’s books in lieu of a tourist map if I ever visit Chicago. Really. I believe he’s covered every major street in the town, or at least the ones worth mentioning.

Back to the latest book. Greg says “I think that the new etudes are even more melodic than they were in the first book.” Eh, well, perhaps. The tunes in the last book were pretty good as well. I think my gripe with the first book carries over into the second book, i.e. still not a lot of explanation about voice leading. Perhaps that will be in a forth coming tourist’s guide to voice leading? How many streets does Chicago have? Are we going to run out if you do a voice leading book and another etude book?

For $19.95, with two CDs (one for Tenor, one for Alto) that have an etude track and a track where you can blow a few choruses, it is a simple choice. Duh! Get the book! 10/10 for the price, and the quality of the tunes.

(P.S. Greg Fishman is moving to Phoenix, Arizona. Why anyone would want to move there is beyond me. It gets so hot it can melt your dashboard. This last summer I think they had weeks of triple digit heat. My mom visited my brother who lives there, and she said it was like being in an oven the whole time she was there. Anyhow, I’d expect to see the next etude book filled with Arizona street names, assuming Fishman runs out of Chicago streets)

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Favorite Brecker EWI Video

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Pretty much anything Michael Brecker did was awe inspiring. I remember back in the day seeing the Michael Brecker band when I was in High School. I had no clue who he was. I was a newbie, or noob at the whole saxophone thing. I basically went to the concert to see Spyro Gyra. Anyhow, Michael Brecker blew me away when he played saxophone, then he did something like this:

Years of the therapy has not helped so far…..and it still is amazing what he could do.

Articles, Videos

Sightreading Jazz by Bob Taylor

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First off, I need to apologize to Bob Taylor. He sent me this book a while ago. Months ago, and I just plain got busy. So, finally, here is a review of the book.

Sightreading Jazz is a 130 page, spiral bound book that addresses jazz sightreading. Being able to come to a musical situation, and play stuff for the first time with a high degree of accuracy is an essential skill. Bob Taylor’s book focuses on sightreading jazz music.

The first part of the book gives you some history, things to look out for, counting rhythms, swing rhythms, articulations, and accents. The second part is where the meat of the book begins, the Rhythms. 2 and 4 bar rhythms. Mr. Taylor recommends practicing these with one pitch, or two or three pitches that you pick out, or using a scale (going up or down as the notes go by), or an arpeggio, or two octaves, or using thirds. Whew. PLUS, you can do the rhythms across the page, down the column….and upside down (just kidding).

Actually, upside down come in the next section, where

Read More “Sightreading Jazz by Bob Taylor” »

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PG Music JazzU

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PG Music has a new product out, JazzU

JazzU offers all students of Jazz — players, teachers, arrangers, and Jazz lovers – an invaluable computer-based resource for the study of Jazz music with top instructors and players. JazzU faculty members are professionals whose credentials embrace both formal study and a wealth of experience as performers on the bandstand, the concert stage, and in the recording studio. For the student, JazzU offers the insights of top professional musicians and teachers who combine an appreciation of the rich Jazz tradition with the ability to play and teach in all styles and genres – Traditional, Dixieland, Swing, Bebop, Latin, Modern, Fusion, and beyond.

For $50, it sounds like a good deal. The only thing that it lacks, it seems, is a way to evaluate how you played them. Programs like Teach Me Piano do this, and they are brutal. But it is an effective way to get better.

News

Neff Music Approach Note Velocity Studies

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Every month, I make it a point to buy new music. New music including books in addition to recorded media. I have quiet a backlog of things to review. So, first up are Approach Note Velocity Studies.

I’m not sure when I found these on the net, but Steve Neff’s Approach Note Velocity Studies are pretty darn neat. For $10, you get 90 some pages of great sounding chromatic lines that you can use on Major and Minor vamps. You can incorporate them into other chord progressions as well, such as blues, rhythm changes, etc. If you own the Joseph Viola Chord Studies book, these patterns are similar to those 16th note lines at the end of each chord study. I have also seen patterns like these called neighboring tones or approach tones in other books.

There are two volumes, Major and Minor. Both are great. Check them out.

Reviews

Jazz Saxophone Duets by Greg Fishman

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I had rave reviews of Greg Fishman’s “Jazz Saxophone Etudes” book. I really like the tunes in that book. They are melodic, sound great, and are idiomatic of good jazz solos. The concept of including two CDs (one for Alto, and one for Tenor) was, well, fairly obvious (yet no one else does this, ie: Snidero’s Jazz Conception books, or Mintzer’s Etude books).

So, in the mail the other day, I received Fishman’s latest creation, Jazz Saxophone Duets ……

Yup, it’s as good as his other book. There are 10 duets. Two versions of each. One version is for two like instruments, such as two Tenors, or two Altos. The other version is for Alto and Tenor (Alto on the top line, Tenor on the bottom). Each “Duet” could be an etude that could, perhaps should, have been in Greg’s other book. The tunes sound great.

Oh, and they have a rhythm section accompaniment track as well. Did I mention this book contains three CDs. One CD of all the etudes done on Altos. One CD of all the etudes on Tenors. And one CD of all the etudes Alto and Tenor. And on each CD you have the Duet with both parts played, just the top line, just the bottom line, or just the rhythm section (which is on all the tracks). How cool is that?

Two little complaints. First, when I ripped the CDs into iTunes, all the CDs showed up as the Tenor version. That was a pain. Also, the Artist column didn’t make sense, and I had to change that. Second, I kind of wanted another couple of medium tempo tunes. There are 5 tunes that are metronome 200 or above, One ballad (mm=69), one near 200 tune (mm=192). So, that leaves three tunes at mm=126, mm=132, and mm=152. I think if there were two more tunes in the 130 to 160 range, this book would be a perfect 10.

In all, this is a very cool duet/etude book. It’s for advanced intermediate on up players. I give it a 9 out of 10.

Update: 11/12 07:14 GMT by E :Greg Fishman emailed the following:

"Since the three CDs are all almost exactly the same length and same number of tracks,
i-tunes thinks they're all the same disc. I tried correcting this many times by submitting the correct info for each CD separately to the CDDB database, but it didn't make a difference. After several weeks of trying to get the i-tunes database to see the difference, I just stopped trying. This is not my fault or the book's fault; it's just an i-tunes glitch, but I know it's a pain.


Regarding the medium tempos, I did have two more tunes planned, but due to the format of including four versions of each duet, I ran out of space on the CDs. As it stands, the CDs are 74+ minutes each. It would have meant including more CDs or cutting some of the faster duets. I ended up simply picking what I thought were the best duets."

Yes, seems the CDs are indeed filled to the brim. However, the first thing I did when I got the book was add them to my iTunes library. Makes one wonder if it even makes sense to include audio CDs anymore. Why not just a data CD that has the tracks ripped in high quality MP3 format?

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YouTube Jazz Videos

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You’ve probably heard of YouTube. I’d say, it’s kind of like Napster of almost 10 years ago. People post all kinds of videos there, some are legal, some not (TV Shows, probably some of these videos, etc).

Anyhow, there are a number of great Jazz videos there. Do a search of Coltrane, or Michael Brecker. There are some fantastic videos there, even a recent one of Michael playing a new EWI. So go over to YouTube, and type in the name of a few of your favorite musicians. I’m sure you’ll find a good clip there. I’m still looking for a good clip of Quincy Jones (on Sat Nite Live) doing Manteca with Michael Brecker.

On a related note, if you like the video a LOT, you can download a program like PodTube to have it on your iPod.

Update: 08/28 18:30 GMT by E :Here are some of my favorites so far:

And a whole lot more.

Articles, Videos

Beyond The Horn

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Walt Weiskopf and Ed Rosenberg, have released a great new book, Beyond The Horn. It is more of a follow up to his great Around The Horn book. The 246 pages are filled with Octave Displaced Triads, and a bevy of Octave displaced minor, melodic minor, harmonic minor and a bunch of other modes. Plus, there are some etudes based on original and standard chord songs that incorporate the material studied throughout the book in them. The funniest title, for me, was “You’re Modern” which is based on the chords to “I’m Old Fashioned” by Jerome Kern. Get it?…..get it? Aw, nevermind.

They forward in the book says that the material was tried out with a captives from the Eastman Music school. Supposedly no students were injured in the testing….though it doesn’t say that…..

All of Walt Weiskopf’s books are must haves in your library. His Around The Horn, “Coltrane – A Players Guide To His Harmony, Intervallic Improvisation, and Augmented Scale In Jazz are well written, easy to read, concise books every saxophone player should have. This book gets a 10 out of 10.

Reviews

II-V-I Patterns

Posted on By ericdano 14 Comments on II-V-I Patterns

I have updated the II-V-I patterns yet again. I consolidated some of the other patterns I had (like the Ray Brown ones). There are now 286 pages (or 286 4 bar patterns in all keys) to enjoy. Also gone is the Jazz Font. I am in favor of a more clean, professional look using Bill Duncan’s Fonts for Finale for this going forward.

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  II-V-I Patterns in Eb (4.7 MiB, 11,716 hits)
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These patterns were designed to be used with Aebersold Vol. 3, Track 2. Also included is a 24 page reference of the patterns.

Sheet Music

Intermediate Jazz Conception

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Jim Snidero has added another volume to his Jazz Conception series. Intermediate Jazz Conception features 15 songs based on chord changes to “St. Thomas”, “On Green Dolphin Street”, “Confirmation”, “Well You Needn’t” and others. The Alto version features Jim Snidero (as do all the other Alto versions of his books), the Tenor version features Ted Nash.

For style and sound, all these books are excellent….

You’d be hard pressed to find a better sound on Alto than Jim Snidero’s. On tenor, previous versions of the book have featured Walt Weiskopf and Eric Alexander, who are excellent players. However, I think Ted Nash’s sound is great in this book. I’d say better than the other two (but that is just my opinion).

The book’s tunes. Honestly, the tunes (or etudes) in this volume are lack luster. The first tune, “Splank Street”, has a great sound to it, but the tune never goes anywhere unlike in previous Jazz Conception books (IE: Basie’s Blues). “St. Sonny” is ok, “Confirmed” and “Freedom” are good. But there is nothing that just screams “cool” to me. In the original Jazz Conception book we had a ton of cool tunes like “Passages”, “Bird’s Blues”, or “Groove Blues” to name a few. But this volume, they are playable, but….not memorable.

Rating. It’s a solid edition to the Jazz Conception series. I give it a 8. I love Ted Nash’s playing in this book. But the tunes are not as good as they have been in previous Jazz Conception books. I’d still love to see Jim Snidero tackle a more contemporary play-along. Something that is really lacking out there.

Reviews

Gordon Goodwin Big Phat Band Play-Along Series

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This is pure gold. 10 songs, playing with the Gordon Goodwin band. The solos are written out. The chart is there. Everything. You get a small clip of the band playing the tune (full band), and then you get the band minus your part and the solos. It’s the actual recording. Hunting Wabbits, yes, it’s the same as the recording. If you listen hard, you can hear a very faint bleed in from the solos.

You need to get this. You need to get both the Alto and the Tenor versions as the written solos are not the same in both books (IE: the solo for Swingin for the Fences is in the Alto book, but not in the Tenor. The solo for Jazz Police is in the Tenor book, but not the Alto).

On a scale of 10, I give this series of books a 12. No, a 14. Hell, ok, 15. It’s good stuff. Very good stuff.

Update: 02/17 21:49 GMT by E :You can get the book via Aebersold, or J.W. Pepper

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The Lighthouse Omnibook – David Liebman & Steve Grossman

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There are a couple of books every saxophonist should have in their library. The Charlie Parker Omnibook in Eb, Michael Brecker Collection Vol. 1 and Michael Brecker Collection Vol. 2, Stan Getz and now, The Lighthouse Omnibook.

This great collection contains all the solos off Elvin Jones’ Live At The Lighthouse album. This book is great. The notation is a little questionable (IE: bad formatting in Finale, etc), but the content is amazing. I have a transcription of Taurus People I got from someone in college that was ok. The transcription in this book nails it.

For anyone looking to learn how to improvise in a more modern style, get this book. 9.8 out of 10 (.2 deducted for poor notation in areas, which could easily have been fixed).

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